The last Christmassy thing I drew this festive season, right at the end. Not a lot to be festive about now is there. These little holly berries are another Jellycat thing, we have a few of those now. Sometimes, little things with smiles on them can cheer you up. The internet isn’t going to do that, social media isn’t. Social media. This phase of human history has been a bit of a social experiment, hasn’t it, and maybe it’s time to evolve again. I stopped posting to Facebook a long time ago, except when making Let’s Draw Davis events (which I haven’t organized since October, I have become a bit shy on that front). I stopped posting to Twitter (‘X’ is a stupid stupid name) due to the increasingly awful richest man in the world owner; a shame, as it used to be quite good. I’m still using Instagram despite the terrible shift in the owner, mostly because on the whole it’s been a good place, but I’m stopping using Threads because rather than being a ‘nice’ version of Twitter, for me it’s become an exhausting app full of posts I really don’t want to see but are which are designed to just draw you in and exhaust and frustrate you, and not even from people I follow. Threads might be my least favourite of all, I’ve decided. Look, if anyone follows me on there, all I do is complain/cheer about Tottenham, I don’t really post my sketching stuff there. I don’t interact with people, I follow accounts about sketching or football or history, and I don’t look for engagement either. Yet because the app defaults not to the ‘following’ list but the dreaded ‘For You’ list, I get pulled by gravity into looking at posts either complaining about the afore-unmentioned billionaire and whatever stupid crap the other one who shall not be named has said or done today, or it’s really mind-numbing engagement posts that for some reason the algorithm has decided I should see, such as “I don’t understand, why do the British have a different accent from me?” or “Can someone explain, why do the British eat baked beans, what are they?” or “Can someone explain, what is the difference between Britain and Ireland?” followed by frankly hundreds of stupid responses either actually explaining it or having a go at them for asking it. For a while most of the posts that showed up for me were along the lines of “Hey! I’m new to English Pre-Meer League, what team should I support?” as if they actually want a real answer. But of course they don’t. All of it, or at least 99% of this all, is just bait, we live in a world of endless click bait. And we all know who the master baiters are. Now even my phone is at it, I have been getting a lot of texts lately from spammers and scammers, I delete and report every one but it’s like Space Invaders, they keep coming. But Threads, sorry, it ain’t working out between us. I always preferred being petescully to ‘pwscully’ (that was always going to be my novelist name, but I couldn’t think of any good stories). So, I’m doing the latest New Twitter Replacement, Bluesky, which does seem nicer and easier to use without getting so much of the distracting noise (ironically, just like how Twitter worked for me, before every other post became an ad for whichever right-wing SuperPac paid whats-his-face the most money). I am ‘petescully‘ again at Bluesky, and sure half of my posts will be drawing related, half will be me moaning about Spurs, and the other half will be… until I’m bored of that. It’s almost exciting, like back when we were all doing MySpace and LiveJournal and something new would come along. To be honest, I’ve never been interested in big followings like some sketchers get, or being part of any global conversation, or even engaging in debates with people online who I do not know. I am one of those who just likes yelling at the void. I just like to draw, and look at the world and draw, and then ramble about whatever in this place, the good old sketchblog. This predates all the social medias that have caused so much of a headache, and a lot of people gave this sort of thing up for the instant expansion all that short-attention-span social media offered. I’m still here. I hope you like the berries.
Tag: art
the old westone
The first sketch of 2025, but this one turns back the years, a very long way. On my last trip to London, I finally brought my old guitar back to California with me. Much to the relief of my mum I’m sure, since it’s been sitting in the back of her cupboard for years. This is my old Westone Concord I, which was given to me on my 14th birthday by my older brother. It was my first electric guitar – technically not my first actual guitar, since I picked up a really crappy acoustic at a car boot sale the year before for a fiver – hey it did the job, I learned my first chords on it and I learned how to change guitar strings on it. This one though was my first proper guitar, Japanese built, sleek and heavy with a very smooth lacquered wood finish and rounded edges, it was something to love. I didn’t want to put it down, and I rarely did. Between this and the drawing all the time it was a wonder I got anything done, though I did spend a lot of time in libraries reading language books and planning round-the-world trips. I never got that good at it, really, just enough for the sort of thing I liked. I could not and still can not play fiddly solos and do all that guitar hero stuff, but then I was never much into that sort of music. I played a lot of Beatles, Pogues, Irish music, and of course Sex Pistols and Buzzcocks. I started writing songs on this guitar right away. I wrote a lot of songs as a teenager, as you do. A lot of crap but also a lot that was immensely fun, something I’m well proud of. This was my only electric guitar for a long time, and over the years it got a little battered, the frets worn down (making it obvious I played the ‘D’ chord a bit too much) and the pick-ups and connections totally knackered. I also never had an amplifier; I would sometimes plug it into my mum’s stereo, into the jack used for a microphone (there would be a lot of karaoke singing at our family’s parties, lot of Irish songs going on), but I usually had to play with headphones on. At school though, whenever I got access to an amp, that thing would get turned up to 11 and a half. The sound it makes is dirty. A proper punk sound. I still have tapes of it, echoing through the school canteen, ending with the dinner ladies yelling at us. A friend had a small amp I’d use sometimes too when we’d get together to make really bad music. Bad, but great. I remember drawing this before, during my A-Levels, or maybe GCSEs, we studies a lot of still-life which was mostly bottles, vases and guitars. I always loved its distinctive shape. The Westone guitar did not make the cut when I moved to America. My main instrument was my big Hohner acoustic, and even that did not fly with me in 2005, I brought it over a year and a half later. So this one floated about in London, at my brother’s where my nephew played it, then one year it turned up at my mum’s again, and that gave me something to play whenever I’d come back. I’d always intended to bring it over some day, but airline allowance and everything, it was too hard. This time though I flew with Virgin which has a good policy on instruments (thanks Branson!), and I was expecting to pay the extra to have it checked in at the gate. No you’re fine, they said, it doesn’t take up much room, it’s not that heavy, and so I was able to bring it on as an extra carry-on, very easy. So, after all these years, I have all my guitars reunited. I do need to fix the frets, and the connections, maybe get new pick-ups (as long as they are as dirty a sound as the current ones), and maybe then learn how to play it better. Nah, I’m good! The Westone is back! It’s 2025, already a way worse year than even imagined, it’s time to rock out.
new year’s eaves
The last sketch of 2024, a walk along the North Davis Greenbelt, another tree, the last of the year. Look at me writing “Happy New Year!” on the page ironically, as if 2025 was ever going to be any good. And yep, even worse than expected so far. These days too will pass, but what follows. I will keep drawing as much as I can, and I have been. I suppose I should keep drawing trees before they all get cut down or burnt, or fall over, or get sold off or deported or eaten. New Year’s Eve, I find it a bit useless, celebrating at midnight when the thing you are dreading most – January – arrives. At least I have the football, at least Spurs are good – oh, right, the opposite. We have a manager (who I think we still like) from Australia, and we are getting beaten Home and Away, losing to our Neighbours, our injured players are all at the Flying Doctors (and the Young Doctors), and Ange Postecoglou is looking like a Prisoner. It’s driving me Round the Twist. Happy New Year (yeah right).
old east davis, the day before new year’s eve
A few more left from the last days of 2024. We are already into the most 2025 part of 2025 so far and I’m already looking back on 2024 wondering what the hell happened. The way I’m getting on with each day is by furiously drawing in the sketchbook as if my sanity depends on it, because of course it does. I am making good on my mission to draw all of Davis, though I get frustrated by the old adage that I’ve drawn it all. I haven’t drawn all of Davis, just enough of it so you get the general idea. I don’t go into Old East Davis that much, partly because it’s not that big, partly because I don’t really have a need to since I live in a different direction. For a number of years after first moving to Davis, this was my route home from downtown, though that time of life is so long ago now (of course it still exists in the archives of this sketchblog). It’s 2025 now, so that means I’m going to start approaching the ‘Twenty Years in America’ mark. The thought of that overwhelms me. The thought of everything overwhelms me really, which is why I focus on the sketchbook page, I guess. Anyway, this sketch above is one of those big historic houses that were built in the early years of Davis (or Davisville as it was then), the Schmeiser House. It was built in 1911 (so it is older than the Watling Estate where I’m from, in Burnt Oak, though we do have a Roman Road, Watling Street). When I say this is a sketch of the Schmeiser House, it’s only the porch and the front yard, most of the sketch is the view looking up I Street (which sounds like it might be Roman, like “I, Claudius”). I have drawn the Schmeiser House before, ironically that was on Dec 31, 2016, which was a time with a lot of parallels to now in many ways, except this time we know what’s coming, or we think we do. Now feels a bit shitter. It’s funny that I should draw this building at this same time of year in this same historical moment though, like its the subconsciousness telling me something. Incidentally this house has another nickname, a bit of an unfortunate one, ‘the Swastika House’. Theodore Schmeiser, who built the house, was a pioneer whose father Gottfried had emigrated from Stuttgart, Germany, and the brickwork on the chimney features a pretty big swastika motif. Now I know what you’re thinking, especially this week, and no it’s not just a ‘Roman salute’. In this case though it genuinely is a bit more innocent, the house was built in 1911, when you-know-who was still just a crap painter in Vienna, and the swastika was generally seen as a good luck charm, especially among Germans. Good luck with that now. Honestly though, it was not a big deal then because nobody thought it would become what it became. You see swastika motifs in a lot of old American civic buildings, and even here in Davis there was a local football team called, wait for it, the Davis Swastikas. They even wore big swastikas on their shirts. Like I say, good luck with that. Apparently they disbanded after a player broke his neck, probably not from mental gymnastics though like nowadays. The big swastika on the chimney here is hard to actually spot because it’s low down, and I didn’t draw it in this sketch anyway. The house is on the City of Davis Historic Pedestrian and Bike Tour, and of that list, I must have drawn almost everything now?
I also drew this house on 4th street, because I have to draw picket fences, and that tree was really quite the shape. I don’t know if there’s any particular historical story with this house, don’t know if there are any unusual embarrassing historical symbols in the chimney, it just looked nice. Then again I look at that list, and indeed this house is there: it is the McBride House, built in 1912 by E.S. McBride, a local councilman. By the way, back in 2017 for the centenary of the City of Davis I held a special sketchcrawl with a map showing all the pre-1917 buildings or places left in Davis, or as many as I could find anyway. I don’t know if I’ve drawn them all yet, but I’ve got to be close now. I must write a book some day, to celebrate twenty years in Davis. Now there’s an idea…
logos books on the corner of the alley
Last sketch of the sketchbook, not the last one of 2024. Logos Books is a good little bookshop downtown, they sell second-hand books and you can pick up some great bargains. They get their books from those donated to the Friends of the Davis Library, where people donate their books, I’ve done that myself. Logos hasn’t been here as long as I have, but there was a similar second hand bookshop here before wasn’t there? I remember Bogey’s around the corner where Bizarro now is. I just remember that first day I ever came to Davis, and looked around the shops downtown while my wife interviewed for a job at the university, I went into the soccer shop and talked Spurs shirts, and I went into the second hand bookshop and saw old language dictionaries and 1980s-era Berlitz phrasebooks, and the existence of those two things made me think it might be worth living here. Fast forward more than 19 years and Logos still has 1980s Berlitz phrasebooks and I still get my Spurs shirts from Soccer and Lifestyle. Back then, Spurs were on the way up and in the top four, and now… mate. To be fair we ended up fifth that season due to the dodgy lasagne, if I remember. I did like sketching this, a couple of people said hello and told me they followed my sketches on Instagram which is nice. I always get surprised by that. I have quite a few bookshops in that sketchbook, it was a very literary one. Started with one in Kauai, we had a few in London, and ended up with this one in Davis. You can see all the sketches from this book in this folder.
xmas day 2024
And back to America. This is a sketch from Christmas Day, in my wife’s mom’s living room in Santa Rosa, the fireplace after all the presents and stockings had been given out. I had done my back in the day before crouching down on the kitchen floor to find pots and pans for our annual turkey roast on Christmas Eve (it was delicious, but agony). For Christmas in Santa Rosa we have crab. I had been worried that my back would mean I couldn’t go, but was alright on the drive over, and we did our annual presents thing. While people chatted afterwards I sat and played Christmas tunes on my ukulele and sketched the living room. We didn’t go away anywhere for Christmas this year. I’ve often thought it might be nice to have Christmas in somewhere like Salzburg or Norway, or one of those other places in the Rick Steve’s Christmas Special, but it’s a lot of planning, and you want to see family. In the evening we went down to see family in Petaluma, always nice. Next day we walked (or in my case limped) about Target buying half price wrapping paper, and my back started to feel a little better. I never miss the chance to go and get half-price rolls of wrapping paper, and I cannot resist immediately using the wrapping paper like a lightsabre, it’s literally impossible, even with a bad back. I like shiny wrapping paper, and always go for the good stuff, the cheap stuff can go for stocking stuffers. Another Christmas in California, but now it’s 2025.
by the stream in Watling Park
And so, the last few sketches from my short trip back home to London last month. While at home at my mum’s if I wasn’t out on a sketching day or visiting my dad in hospital, I’d sometimes go for a walk around Burnt Oak to see what’s changed; quite a lot, some good, some not really. I still look for what’s the same. The park at the end of the street has never had the best reputation, but Watling Park is where I spent my childhood with my friends from our street and the kids from all the other streets, so I thought I should bring my sketchbook back down there, since 2024 was all about drawing trees after all. It was a damp gloomy decembrous day, my tummy was full of mince pies. I stood by the stream and drew trees going across it. The sketch below is what I drew first, a tree that had fallen across the stream, I sketched quickly in pencil and added paint right there. Across the stream a very excitable dog was running around and up to people, I think it was a Staffy, and the owners weren’t bothered if it jumped up at people. I wasn’t keen on it jumping up at me while I painted so I worked fast. They didn’t walk on this side of the stream though. The one above was drawn in pen, but I didn’t colour it in until the plane journey home. This part of the stream has walls into the stream (see below), while the section above does not, though I was in roughly the same place, just turned around. The tree that had fallen, I think that may have been the one when I was a kid that had a Tarzan rope attached to it so we could swing across. The stream is so narrow that a kid can jump across anyway (well, usually) but the Tarzan rope was always the more adventurous way. I spent so much of my childhood here, when I wasn’t indoors drawing. So did my older brother and sister, and my uncle Billy, I always think of him when I think of the Tarzan rope. The view above, that’s the park I know. That little arched bridge, this is the middle one, there are three in the park. The stretch of stream between that one and the one by the old Bowling Green was full of bushes and hideouts, an adventure playground for us. There were stingy nettles, but also dock leaves, that is where we learned that old medical trick to heal the stings. That stream is properly called Burnt Oak Brook (we knew it as part of the Silkstream, though didn’t know the word ‘tributary’ in those days); we just called it ‘The Stream’, and it ran over towards the Meads, past the allotments. It was full of little stickleback fish, shopping trolleys, bits of old bike. We used to try damming it up with sticks and mud and whatever we could find, to see how long the dam would last. The stream always came back.
The Silkstream itself flows through various parks and underneath Burnt Oak and Colindale, and was sometimes treachourous. We grew up knowing there were dangers when playing by the waters; I don’t mean in those public service shorts that would go out on kids TV in the early 80s, “Charlie Says” and so on. When I was about five or six, there was a horrible day when some children died in different parts of the Silkstream, not in Watling Park but further down in Silkstream Park and another park in Hendon I think. The water was high from the rain and deceptively strong. One of them was a boy, also called Peter, who lived in the next street over from us, he was in my year at school. It was the first time I’d really experienced knowing anyone who had died, other than my grandad, and at such a young age I didn’t really understand. I remember a lot of kids at school crying, and kids in our street being in shock. I think I was playing down Watling Park myself that day with my neighbours, in those days that park was our babysitter, if we weren’t at home or in the street outside, that’s where we could be found, don’t go beyond. What I didn’t know until recently was that when this happened, and people started to hear about it, some kids heard ‘Peter’ and assumed it was me (there weren’t many Peters in our area, a lot of Marks and Lees and Davids but very few Peters). They went to my house and told my sister they heard I had died in the stream. I can’t imagine what she must have thought. I think she went straight down Watling and found me, we don’t remember now, she always knew where to find me, and I was probably in my neighbour Tasha’s house, the other place I spent my childhood. She was close to Peter too, and his family, and we found it difficult to talk about it back then, we were all so young. It didn’t stop us playing by the stream, but only in this part of it, which always felt safer and closer to home, but that day definitely stuck with us. We as kids in the area never stopped thinking about him.
There are a lot of changes happening in the park at the moment. The big playground by Cressingham Road has been taken out, hopefully another one will go in because that’s the last playground in the park. However there are three big ponds being added, and new paths across what used to be the big fenced off sports field, but is now part of the park proper. and on top of the hill, it looks like a little bandstand or something is being built. Hopefully not just a place for the junkies to sit out of the rain. I hope these are positive updates for the park, what they have done to Montrose Park looks great, although they did build a sports centre over part of it too. London is great for parks and they need to be both protected and improved; Watling Park has a bit of a wild feel to it, but it wasn’t always that way. When I was a kid there were still tennis courts, beaten down though they were, and when my brother and sister were younger there was a putting green, I always wondered why they referred to the little patch of grass where we’d play football as a putting green. There used to be another playground near Abbots Road, I would be there every day on the swings or the see-saw, and that huge tall metal slide with the cage on top that would never pass a health and safety inspection these days, and whose metal slide surface would heat up to about 500 degrees on a hot day. Still better than those horrible plastic slides that generate enough static electricity to power a small car. We’ll see what it looks like when I’m next back. The drawing above is of another tree I saw on that walk, next to a row of houses on Fortescue Road, I really liked the ramshackle fences. I only had time to draw a quick outline, so in fact I drew most of this a few days later. I think I remember a schoolfriend lived on Fortescue and I went to their birthday party when I was about six or seven, but that’s all part of the blur of childhood.
Ok, back to posts and sketches from California. Until next time, Burnt Oak. See you in the summer.
pretty seven dials and ugly pink riders
A different day in London now, and after doing some work at home in the morning I made my way to Covent Garden to meet up with my friend Simon, who I had not seen since his stag party a year and a half before, and who was visiting from Dublin for a couple of days. We met at the cafe of the London Transport Museum, I love going to their shop and I picked up a fantastic festive hat. I wish I had bought the matching scarf too, but instead I settled on the socks which I wore on Christmas Day. You don’t need to know that. We then popped into the Freemason’s Hall, which I had heard you could go into, and looked around at all the masons’ stuff. You can’t wear hats in there, so my new hat was not allowed, yet there were lots of other items of silly clothing on display. We felt a bit out of place. I don’t really understand all the Freemason stuff, the secret handshakes and whatnot, but it was interesting looking around at the museum, all the information about past famous members and all the trophies; we are a Spurs fan and a Newcastle fan respectively so the well stocked trophy cabinets made us feel a little awkward. We went and had a little bit of lunch and a Belgian beer at the Lowlander Cafe, before he had to go and meet up with his dad for some shopping (and I had to go and meet my dad for hospital visiting hours). Before I took the tube up to Barnet though I walked through Seven Dials (which I kept calling Nine Dials) and sketched the pretty scene with the golden-leaved trees. It was very nice, until about seven or eight of those bloody awful unlicensed rickshaws pulled up outside a theatre, presumably to catch people coming out of a show, and all started blaring ‘Dancing Queen’ by Abba at the same time on their individual speakers. I say at the same time, they weren’t all in sync, so it was just an aural mess of Abba, completely ruining the xmas atmos. Each one of them was decked out in garishly pink frills, designed as if to say “we think you are stupid and will stupidly ride around on this stupid tricycle for stupid money”. I hate these things. If I were Mayor of London I would ban them, and anyone caught doing it would be forced to ride their tricycle all the way to Scotland, going on all the B roads and everything, and then ride around the hardest estate in Glasgow or somewhere, playing bloody Dancing Queen. They prey on tourists, I always read stories about people getting in them and then suddenly being charged 300 quid to ride from a hundred yards up the road by a threatening man with a frankly scary pink vehicle. And sure people might say, well they are part of London now, that’s just what you do, we’ve had pedicabs for ages and tourists want the loud colour and music and don’t mind paying for ten minutes of dodging traffic and pavements and pedestrians. Personally I think they’re awful ugly noisy things, and they ruin any charm Central London still has. You won’t see me in one any time soon. Bah humbug indeed.
advance to mayfair
Mayfair is one of those parts of London I’ve frankly ignored for too long. Last year we nearly walked around there, to find the Mercato that we’d heard was cool, but after looking walking over to Savile Row to see where the Beatles played in 1969 on the roof, we ended up catching a tube to St. Paul’s for a walking tour of the City (those Blue Badge guides know their stuff). So I had it on my list to explore this area finally, for the first time in I don’t know how long. It’s that big area full of big super expensive buildings and flash cars, embassies and posh hotels, more Rolls Royces than you can dream of, all bounded by Park Lane, Oxford Street, Piccadilly and Regent Street. That’s a big area and it’s not all the same (I am not even sure all of it is ‘Mayfair’, except in the geography of my mind, but we call it that). So on this trip, I decided to make an effort to explore Mayfair again. I actually used to come through here almost every day, twenty-five years ago, on an open-top tour bus, telling the same old stories, waving at the barber, humming the Nightingale song in Berkeley Square song because I didn’t know the words (or the tune) (or the title, evidently), pointing out where the Queen was born (not the original building) and where Jimi Hendrix used to live before he died. Those well-rehearsed yarns have faded in the memory but not as much as the streets themselves; walking around it was like reading a book I had not read since I was a kid, knowing the lines and the characters but still being completely surprised by the story. I was certainly surprised by the little red Mini parked outside a fancy hotel, covered in a Christmas tree, people were stopping to take photos and so I had to grab a sketch. All along the street were expensive cars, this was Grosvenor Street. The Grosvenors are the big cheeses in this part of central London, and many other parts too, they are the Dukes of Westminster. The Grosvenors built this whole area, as well as Belgravia. This street leads up to Grosvenor Square, formerly the location of the massive U.S. Embassy, and the last time I was there, and in this part of town, was in 2005 when I completed my application for Permanent Residency, and had to go to the Embassy, hand in all my paperwork, have a little interview, pledge allegiance with my hand up (that was odd, did that happen?) and then it was all good, I can go ahead and live in America, and I’ve been doing that ever since.
I found the Mercato Mayfair, an incredible food court inside an old church. There are lots of different options from around the world as well as a bar over where the altar would have been. It was done up all festive for Christmas, and I grabbed some south-east Asian food and a fruity soda and had a late lunch/early supper. I still had a lot of drawing I wanted to do in Mayfair, and the daylight was already getting short. I walked over to Duke Street, near the magnificent Ukrainian church (how had I never seen this building before?) to the unusual Brown Hart Gardens. I’ve seen these on walking tour videos (tall tales about elephants being kept here) and one of the Urban Sketchers London events was around here a year or so ago, and I had really enjoyed all their sketches of these domes. I stood among the rich people in nice clothes and sketched. Behind me three suited men talked loudly about work, all business and deals and masculinity. I would have found it hard being a Man of Business, not the life for me guv. The sunset was causing all sorts of colours to appear in the sky, and made the buildings look as if they were made of gold, which they probably are.
A lot of the buildings nearby do look pretty golden. I found myself walking down past the Connaught Hotel, which is a five star hotel that looks like it needs a few more stars added to that description. I didn’t draw it this time, but I did stand outside the Pasticceria Marchesi across the road on Mount Street to sketch the beautiful window display. Their cakes were more like crowns or ornate cushions, and there was a line out of the door. This terracotta building was designed by William Henry Powell and I seem to remember having to say something about Queen Victoria’s Diamond Jubilee when talking about it on the tour, back in the days when Queen Vic was the only one who’d ever had one.
The next stop was Berkeley Square, of the aforementioned song about a nightingale. I had forgotten how big this square is, and even though it was already dark I was amazed at how beautiful it was. I’d honestly not been there since swinging past on a Big Bus pointing out all the Ferraris. The one story I always had to mention were the London Plane trees, as there are a lot of them here, trees that were strong and particularly resilient to the infamous London pollution. I had to sketch one of course, in pencil this time, another tree for the collection. I imagined walking through here on a smoggy evening in Victoria times with horse drawn carriages and top hats and gas-lamps. Now it’s Bentleys and Maseratis, and I did notice that many of the map-posts have been converted into special chargers for electric cars, they just plug them into the lamp-post. We live in the future now my friends. I pressed my nose against the Ferrari showroom checking out a car that costs a quarter of a million quid.
Finally, a famous old pub on the corner of Bruton Street, near where the Queen was born (I suppose these days I should say ‘Queen Elizabeth II’ rather than just ‘The Queen’ in case you think I mean Camilla, or Taylor Swift), at Number 17. The Coach and Horses is the oldest pub in Mayfair, and history pours off of it. I didn’t go in this time, but I’ve been inside many years ago with my mate Tel. I have wanted to sketch this pub for years, another in the mock Tudor style (see my sketches from earlier that day for more of that) so it was always going to be my final destination, but as I stood on the other side of the street drawing the outline, and red buses and taxis passed between us, I ended up just drawing the outlines and scribbling the rest in later, as I had to catch a tube and a bus to Highgate Village. It was a nice stroll around Mayfair, well worth the 400 quid in Monopoly money. I mean, pound for pound, square foot for square foot, it’s the cheapest place on the board.
liberty’s before lunchtime

While in London last month I took a day to sketch and explore Mayfair, and area I have not really walked around in a long, long time. It’s good to not stick to the same places each time I go back. However I wanted to start my day somewhere more familiar, draw a lot of old timbered beams, and maybe do a bit of Christmas shopping along the way. I have sketched Liberty’s of London before, but it was a long, long time ago, when I drew smaller snippets of buildings, and in that case not very well. It’s such a big old building, a massive department store in mock-Tudor behind Oxford Circus station, that you want to spend the time to really catch all the details. I chose a spot on Great Marlborough Street that looked down Kingly Street on the right, a street well worth a day of detailed sketching in itself (but which I always associate with fancy bars and cozy pubs, having spent a few evenings down there with friends back in the old days either drinking cool cocktails among media types or room-temperature beer among tourists). It’s an intriguing little corner of the sketch that, like a window that you open on an advent calendar. There’s a fun idea for an advent calendar, one that for each window, you are taken to a new place full of other windows. I’m not sure how it would work but I can imagine quite a bit. The sun was blue and the sky was shining, there were clouds dotted about to make it more interesting for me when I drew the little triangle of colour on the top left. I wasn’t sure how much colour I would add to this drawing, it being an essentially black and white building, so I just added spots here and there, such as the golden parts (with my gold gel pen) and flags. Unfortunately I did not colour all the trees in, just putting in some green, the uncoloured ones were purple. I should have added that, I’m not averse to colouring-in later after all (I’m the king of colouring-in later, saves so much time on those days of exploration), but I never got around to it and the moment’s passed. Purple is very much the corporate colour for Liberty’s, though at this time they were also very invested in green as they were promoting the movie ‘Wicked’, and had large displays about it in their windows and interior. The whole sketch took me about an hour and fifty minutes (yes not quite two hours, I was determined to finish by midday and press a hard stop, though I spent some time faffing about taking pictures of it). I did go inside and look around, bought some Christmas ornaments and stocking stuffers in their amazing festive department on the top floor. I don’t remember ever walking around here before, it’s very wooden and unusual inside, well worth a look. Some of the things they have for sale are a bit expensive mind, the designer goods. I’d like to make a point of sketching more of the big old department stores of London, I drew Fortnum’s already, now Liberty’s. I tried to draw Harrod’s last year but it was covered over with scaffolding (to hide their shame presumably, given news reports about their former owner) and then there’s Selfridges on Oxford Street. I always took that for granted, but when I passed by it later on this day I remembered how absolutely immense it is, so I’ll leave that for another time.

I could have spent the day sketching just around this little corner, looking across Regent Street with this winter sunlight hitting things just right. Carnaby street is nearby, but I don’t like it there much any more, it’s too bland, and there are just not any football shirt shops any more. The best was SoccerScene, a shop that did more than anything to enflame my lifelong obsession with interesting foreign football teams and their shirts (and their metal pin badges, they had a huge array of those). I remember further down Great Marlborough Street there used to be a fantastic foreign language bookshop, the best one in London, and when I was in college I spent a lot of time there looking at all sorts of interesting books in French, German, Italian, Danish, whatever was tickling my linguistics at the time. It’s gone now. Grant and Cutler, that was it. It seems they have merged with Foyles and have a section of that massive bookshop on Charing Cross Road, but I miss the feel of that other place. Anyway I was wasting time reminiscing in nostalgia again, I had to go to Mayfair.
I’ll put the Mayfair sketches in another post, it’s only fair, but this is another timbered building that I drew next, the Mason’s Arms on Maddox Street. It’s opposite a really interesting church which I’ll draw another time called St. George’s Church Hanover Square. This is across Regent Street, and I came across here rarely, probably feeling that this part of town was not for oiks like me from Burnt Oak. People get progressively richer with each passing square foot. I think I only had about a square foot of pavement to sketch on, the streets were a little tight, probably why they’re so rich eh. All the old tour guide jokes coming out now. I remember going down Regent Street on the bus once talking about Soho when an American tourist asked me why it was called Soho and is it named after the SoHo in New York. I said no it isn’t, that area is a contraction of ‘South of Houston’, whereas the one in London is ‘South of Hoxford Street’. After finishing my sketch of the Mason’s I popped in to sit down and grab a drink. I ended up not eating, saving my appetite for the Mercado in Mayfair which was my destination, but it was a nice little pub, historic (1721, though rebuilt as it looks now in 1934 in that Mock Tudor style; a new Lego set has just come out which reminds me of this, I might have to get it). The Rolling Stones had offices on Maddox Street and used to record at Chappell Studios a few doors down, as did the Beatles occasionally. It’s good to read the signs on the pub wall.

















