Here’s an iPad sketch from a few days ago. Sorry, a couple of weeks ago. Where the hell did April go? March was about eight years long, April was about eight minutes long. I have been watching a lot of old sports. Well mostly football and formula one. Ok, only those sports. Here is the classic 1986 World Cup quarter final game, you might have heard of this, Argentina v England. I was ten when I last watched this game. We’ve all seen two clips of this game a million times, the Hand of God, Maradona’s famous handballed goal, and his subsequent brilliant mazy dribble. I was ten when I saw this game. Maradona was the best player in the world. While family members and friends all swore loudly and often, I knew this was a special player. We all did. Mexico 86 holds a lot of great memories, the first World Cup I really followed. I still have my Panini sticker album, defaced with felt tip pen by me and my neighbour, unfinished but still enough memorable characters such as Antal Roth, Randy Ragan, Cha Bum Kun, Yannick StopyRAAAAAA. Giuseppe Bergomi’s massive monobrow. But back to this game, we were at a friend of the family’s house, I was playing with the other kids, coming in and out to watch the screen with the sweary drinky people. International games in those days were so glamourous, far away, bright un-English sunshine, ridiculous big stadia nothing like the crammed in barns we saw on The Big Match, the commentary echoing of far away phonelines. This was the greatest game of all time wasn’t it, England were robbed weren’t they, if they had managed to not get cheated out of this game they would surely have just won the World Cup easily right, their first in twenty long years of hurt, right? Watching it again, I am reminded of how boring some of these games can be, especially back in the old days of the 80s. It was nice seeing Peter Reid again, always liked him, maybe a bit less seeing Steve Hodge, never a big fan. And England really weren’t all that, Argentina were always winning this game, all the momentum was with them. Who know, perhaps if the game had not swung their way, England may have nicked it, but the Hand of God shook the cradle, Shilton failed to outjump the famously not tall Maradona, Diego punches it into the net and I remember vividly that sweary drinky room of family and friends all jumping up as one shouting “HANDBALL!” and other jingoistic phrases, and I remember thinking at the time, ten years old in 1986, “you know if only we had VAR, we would have nothing to talk about over and over again for the next thirty-something years”. My favourite bit about rewatching it was that FIFA added different commentary than the one I remember, and the commentator is clearly speaking years later but pretending like he doesn’t know what happens, as if adding some doubt about the handball. He actually says, while pretending to be actually at the Azteca in 1986, “well here we are in the hot and sweaty Azteca stadium in Mexico City and Diego Maradona has just scored a goal with what might be his hand! Or his head. It might have been either. He is celebrating so it must be his head. If it was his hand England will be aggrieved about that for years until they win the World Cup which might not happen ever now. I’m sure he’ll make up for it later in this game with a much better goal to prove that he really is the best player in the world, in case we think it’s Platini who might make a good UEFA president someday with his honesty. Well it looks like the famous Hand of God goal will stand, so that’s another goal for Maradona and wait til you see him in the semi final against Belgium.” Other than that it was faultless commentary. Even describing the second goal as the Best Goal of The Previous Century didn’t give it away. I have a pair of socks with little images of that Hand of God goal all over it, if we had VAR I might not have those socks. the best bit about that game though was not the Hand of God, nor the Amazing Best Goal Ever, nor even Gary Lineker Pulling One Back, but the shadow of that big windmill spider thing that was cast across the pitch. It was such a memorable feature of that World Cup that it was almost like another character in the film. 1986. You’re only ten once, you can never be ten again. When I was ten I watched football all the time, drew constantly, had Lego all over the place and regularly freaked out about the daily world news. You can never be ten again.
On my recent six-months-ago-now trip to Portland (not the one with the Bill, unless you count the bar bill) I took advantage of the chance to sketch a few drinking spots, because after all, Portland is about the beer. Although actually one of the nicest spots I came to was a small wine bar across from my hotel, where I went in to do some pre-dinner wine tasting, because I thought why not. It was closing early so not enough time to sketch, but I did taste a few very nice local Oregon wines, and also spoke to a bloke who supports my own beloved Tottenham. Coincidence! He travels back and forth to Europe for wine stuff I guess, and he even went to the Champions League final in Madrid last summer when Spurs… well we didn’t win that one. Anyway as my hotel was nearby to Bailey’s Taproom, where I have been before, I wanted to come back and spend some time sketching in there and sampling some interesting beers. As it turns out, the guy behind the bar (not the one in the picture) recognized me from my previous trip there. In fact the last time had been a full six years before, on the very same date! I am nothing if not predictable. I told them I’d see them again in (gets out calculator) 2025.
So above, the McMenamin’s Crystal Ballroom, which I had been very interested to go to, but was hugely underwhelmed. It was not very interesting, it was practically empty (this was Friday evening just after dinnertime) and the beer I had wasn’t very good. I didn’t finish it, nor the sketch. I went and had a little cake at a nearby cake shop instead, very tasty.
Above is Hair of the Dog, a walk across the river, a brewery I’ve wanted to visit for a long time. I met up with sketching friend Kalina and had a beer and some food here, and a sketch and good conversation, always nice to catch up. Years ago a couple of friends had come here and brought me back a beer, and the beer here is certainly very good.
There was another place I really wanted to come back to sketch, and that is Jake’s Famous Crawfish. A smart and historic place downtown, I popped in and saw a spot right at the corner of the bar, a great place to sketch, ordered a single beer and drew this whole thing quickly. The last time I had visited Jake’s was in 2010 during the original Urban Sketching Symposium, on a late-night sketching session with Don Colley. I should like to eat here some day as well.
And the last bar sketch i managed to fit in was not one I went into, but I really liked this view. The Crystal Ballroom is at the other side of the building, but this end has the Annex Bar, another McMenamin’s place, which does have an interesting interior and a downstairs cellar bar which looks like a great place to hang out and meet characters with colourful conversation. Seems like it will be a long time until we get to do that again, huh.
Last November after the Fall soccer season had ended I decided to take a weekend away in Portland, Oregon. It’s going to be a while before we can just take weekends away again huh. I’ve come up to Portland a few times in the past, usually November time, for a short break away from Davis, and I have good sketching friends up there going back to the first Urban Sketching Symposium in 2010. There is good food, drinks, bookshops, old buildings, falling leaves, comics, and generally lots to do. I stayed right downtown this time around, a good choice although I discovered that the food carts around 10th and Alder that I like to go to have been moved on due to construction of a huge building on that site. Boo! The nice folks at Finnegans Toys told me where to find some good food carts nearby though. I always like to get a nice hot Thai meal. Anyway, this is the Arlene Schnitzer Concert Hall, which is a good thing to draw in Portland because it says “Portland” on it, and you can put it on the top of your blog post when writing about it six months later. My sketchblog is becoming like Marvel Unlimited, everything is added half a year after it first came out.
I like the autumnal colours. Or the Fall colors if you will. I was maybe a week or two late for the brightest blooms, and many of the trees were leafless already, but a few patches of autumn brilliance were still there. Grey skies, short afternoons, and brilliantly coloured leaves give me a cozy feeling inside, like 4:45pm on a late October Saturday afternoon in England as the football results come in (that is by the way the best time of day ever). Above is the Portland Public Library. I came in for a while, I like libraries (again, going back to those grey Saturday afternoons when I was a teenager and would go to libraries across north west London looking for books about languages and places far away). Around the corner, behind the Arlene Schnitzer, there are several blocks of park leading down to Portland State University, lots of colourful foliage still blazing. I drew the Shemanski fountain (below).
On the Saturday morning, I joined the Portland Urban Sketchers for a sketchcrawl at the Hawthorne Asylum Food Carts. We met at a cafe, there was a pretty good sized group, and before sketching everyone went round in a circle and introduced themselves, saying who their favourite artist was. There were lots of artists I had not heard of. When it was my turn, I said my favourite artist was Gerard Michel (he is too). We walked over to the Hawthorne Asylum; most of the carts were closed as it was early, but by lunchtime when we were getting done they opened up, and I had a pretty amazing egg/mushroom/cheese thing in a waffle, even thinking about it makes me hungry.
Here’s what I drew. I also sketched sketchers (below!) and had some very nice conversations. We passed around our sketchbooks and wow, there were some incredible sketches, very inspiring. That’s why we do these sketchcrawls, we come away with ideas after seeing how other people produce such great pieces of artwork.
I was a bit ‘meh’ about my own work that day, I felt a bit mechanical and rusty, but I did also draw something mechanical and rusty (below) which I did like. I didn’t colour it in though. I’m not sure what it was but I suppose it must be a robot from the future.
After lunch, I walked up Hawthorne (a long old road) and reached my final destination, the Bagdad Theater. This is a McMenamin’s-run place, a restaurant and cinema, and I was coming to watch Jojo Rabbit (what a great film, one of my favourites and I’m so glad I saw it somewhere so incredibly cool). Anyway, my iPad was still very new, and I had not used it much to draw with in ProCreate, not outside anyway. So I had an hour and a half before the film started, time enough to finally draw this building I have wanted to sketch for almost a decade. The iPad was a fun way to sketch, and I learned a thing or two that day. Firstly, layers are really helpful! Secondly, white lettering on dark backgrounds is so much easier this way. Third, I can do the sky separately and using very different brushes to make it look more like actual cloud. I also learned that a bit more experimentation in how to colour will be very helpful. I very much enjoyed this sketch.
I didn’t enjoy the street musician much though. Some young lad with an electric guitar and a microphone and an amplifier was stood right outside the Bagdad’s doors playing and singing. It was very loud. It wasn’t very good. I’m not being judgy of his musical talents, it may be better than my drawing with an iPad, but only one of those is being blared out around the street. A staff member from the Bagdad came out and asked him not to play there, as he was disturbing people inside. Naturally he got very lary and gave it all that, getting in the staff member’s face in that way that indignant young males of the species do when a female politely asks them to maybe not be so loud outside their business which is not only a restaurant but also a cinema. She went back inside and he continued for a bit longer. He was very loud, and used the microphone to tell the rest of Oregon that her request was illegal and that he had a right to play his music loud right there. Right or wrong, he must have realized he was perhaps being a bit of a dick because after ten minutes or so of occasionally singing – mostly vocalized ranting about the injustice, and reminding everyone that this is America – he decided to move along the street, to a spot about six feet away from me, and then proceeded to yell over the microphone about people who only live in Portland because they saw Portlandia, and the woman who told him not to play outside the Bagdad was breaking the law, and then a few conspiracy theories Thrown in there, and then onto how we’re all sinners and Christ was coming to reckon us or something, and guys this felt like a long bloody drawing. How I didn’t just turn around and pull the plug on the amp I don’t know. But eventually he packed up and sodded off, and I finished my sketch and went to see Jojo Rabbit. The movie was great, was the theatre was amazing, historic and grand, and you can grab a beer and order food and actually have it delivered to your seat while you watch the film! I had pizza.
I also drew several bar sketches in Portland but maybe I will compile those together in a different post.
In September for our anniversary my wife and I took a weekend away in Santa Monica. It’s a city we really like, and this time we even rented a convertible and drove out to Malibu, that was really cool. The large beach there was very nice, peaceful, not many people, great for social distancing. Busier back in Santa Monica of course, and the only sketching I did was there. (I didn’t even sketch at the Getty Villa, another place we visited in Malibu, that was gorgeous). So in Santa Monica I did a few quick sketches down by the ocean. I really liked the look of the hot dog hut above. The thing in the foreground is a public payphone, we used to have them in the 20th century. If you needed to make a phone call to someone you had to wait for someone else to be finished. They were quite clever. If you needed to end your conversation you couldn’t pretend you were going into a tunnel, but you could pretend you were running out of quarters, or witnessed a gang shooting, or there was a big wave coming from across the beach. As you can tell I’m trying to use American examples rather than British examples. In Britain you had to pretend your 10p coins were running out, or witnessed a football hooligan punch-up, or the vicar was waving from across the lane. Anyway we didn’t have cellphones or mobiles and everything was better and kids played with sticks and hula hoops and holidays were just a tent in the garden and something about health and safety gone mad.
Anyway back to the real world, we stopped off for e delicious cold drink and snack in 3rd Street, and I took the time for some people watching. Which for me means people sketching. I don’t really like people watching – I’m more for people ignoring if I sit anywhere – but if I’m going to watch people they may as well get sketched. There was a sad clown making (and presumably selling) balloon animals.
This is one of those Jump things. Not the bike, this is a scooter. It works like a Jump bike in that you have to leave them all over the place in easy-to-trip-over places, and then ride them around on sidewalks not watching where you are going as if you have never been on a sidewalk before and don’t understand how they work. Grumble grumble grumble, that’s all I do, kids these days, get off my lawn. Anyway they are everywhere in Santa Monica now so I thought I’d draw one while I was walking back to our hotel.
Now every time I go to Santa Monica I always say “right! I am going to draw that sign to the pier entrance, and it’s going to be brilliant.” And then I leave it to the sunny busy part of the day and can never find a good angle and never want to colour on site and never want to colour it in later (for some reason it feels flat), so this is all I got to do. I think I’m going to practice painting with gouache, get really good at it, then come back and try this again so it looks like how it should in my mind. Or maybe do a digital sketch. I don’t know, I like penwork on a lot of things but have never felt comfortable with this sign. But I really like Santa Monica and any excuse to come back is great. No travel for a while now, though! Nearby to this junction is a place which does nice Belgian frites. I love a frite.
Remember before social distancing? I would go out, staying away from everyone, sketching places without any people in them, and that was just normal. Now social distancing is the norm, along with a whole load of other words that we now know. Social Distancing will be the Time Word(s) of the Year 2020, I suspect (and we thought it would be Impeachment) (but that particular horse has a fair few furlongs to run yet), but there’s also “Zoombombing”, which I think is a genuinely new coinage, the practice where unwanted miscreants get into your Zoom meetings and perform perfidious profanities; “Shelter-In-Place”, which I’ve only ever had to do when there was an active shooter in town (America, folks! They love a gun); “Self-Isolation”, and its related verb, to self-isolate, which is like Luke Skywalker on that island that sounds like a sneeze, or Obi-Wan on Tatooine, or Yoda on Dagobah – basically you do it and pretend you are an old Jedi; I have also seen the word “immunocompromised” become more widely used, I had never thought of that word before, it could take up almost two Countdown Conundrums. And then in France you have the “Attestation de déplacement dérogatoire“, which is a form you must complete (France!, folks! They love a form) every time you want to go outside your house, and you can’t for example go more than a kilometer from your home if you are out exercising or walking the dog. The Attestation is just a part of life in France now, and will probably be their Mot de l’Année 2020. We all gotta do what we can to stop this thing. Stay at home when you can folks.
But here are a few more sketches from late 2019, a golden age for going out and (in my case) avoiding people, as I catch up on posting the sketches that backed up. It turns out that was probably a good thing, as it gives me something new to post that isn’t a sketch of my living room. Although I will say, that living room is going to be my St Victoire (also I do have a poster of St Victoire on the wall of my dining room). The sketch at the top is a sculpture outside the local library, near where I live. This was in Fall, when the leaves were red, outside the library where the leaves were read. JOKE OF THE YEAR 2020? Maybe not. Besides it references something from 2019 so it cannot count. Also it’s just not very good.
Incidentally do you want to hear my personal joke of the year funniest thing I said in 2019? Ok here goes. Don’t laugh ok, I thought it was funny. My wife and I were watching TV and on this one advert there was a young horse who needed rescuing from a road. She said, “I feel sorry for that baby horse”. So I said “I pity the foal.” Cue laughter, at which point I stood up and waved at the living room and left the room, you’ve been great folks. It’s right up there with “Missouri loves company” and “some day my prints will come” in waiting years for the perfect situation to come up to use those lines.
But in the sketch above, at the cross-section of 2nd Street and B Street, I was really hoping for some kind of road-rage incident involving an annoyed (not angry exactly, just irritated, unhappy, let’s say cross) motorist not stopping and causing some sort of, well not an accident for sure, I don’t want that, but something where they cause more annoyance, like they have to go around someone and everyone gets in a huff, and then I can say well the sign does say, cross traffic does not stop, so your mood at that moment determines whether or not you need to be the one that stops, just as the sign says. But that didn’t happen, and it’s just as well because it wasn’t very well thought through. It’s no “I pity the foal” is it.
Further down 2nd Street on a completely different day two days before, I sat with a cold beer outside Uncle Vito’s, on the corner of E Street. Our AYSO team the Blue Guys had won an exciting 10-5 game against an excellently named team called the Black Goats that day, and I had the afternoon to go cycling and sketching. I miss the Saturday-afternoon-after-the-game feeling. Now our Select soccer season has been cancelled, it’s left a big gap. I’m still watching videos and reading about tactics and training plans. By the way the big blue sign with a “P” on it is I presume pointing people to where the toilets are.
A month before, I drew this restaurant on the corner of 3rd Street and University Avenue, called Pho King. I know, I know. Don’t tell De Niro, he’ll make a ‘comedy’ movie out of it. They have a big sign on the restaurant (I don’t know if you can make it out) that says “$10 IPA Pitcher Go Vegan!!!” Again my mind was trying to put this into some sort of joke, where there is a baseball game and the pitcher’s name is Vegan and he plays for a team with the initials I.P.A. (Industrialists of Pennsylvania? Icelandic Philologist Academy?), but again, it’s no “Missouri loves company”. I’m still not stooping down to making Pho King jokes though, unless a shop called Tories opens next door. Incidentally I’ve never eaten here but I really like Pho so I will try it out. And if it’s not as good as expected, I might say “I pity the…”
No, I won’t. I tell you what though, I really like Thai food, and my favourite is Sophia’s on E Street. We get food from there all the time. I do like their bar as well, a really nice place to have a cocktail, to sketch and, yes, talk to actual other people. I’m not always a complete social-distancer, sometimes I will converse and speak and stuff. This was back in August (!) and I was still trying to use those brush marker pens more. This is a great place for those because the lighting in Sophia’s means there are much darker areas to fill in, making the values really stand out. I just really like it there. Oh man, I miss going out to the pub to sketch. This was a nice evening, I did speak to quite a few people and sketched several others too, but I’ll only post this one, which I sketched across the bar, a couple of people talking to each other in front of the big blue fishtank, I caught snippets of what they were saying. I just automatically assume they were making pun-like jokes about something, but I don’t really overhear conversations well, I’d have made a terrible Stasi spy.
So, here we are in April 2020, staying at home (except for those numpties protesting on the streets in Michigan), and it would have been Picnic Day here in Davis when the kids get out and party it up, but not this year. And now, back to sketching the living room and watching old World Cup games. I watched England v Argentina from 1986 a couple of days ago. I think tonight I’ll watch Italy v Nigeria from 1994. Stay home and stay safe everyone.
I went back to London at the end of November / start of December for a short week, and managed to get in a couple of sketches while I was at it. Above is the view looking down Haymarket. It was a bright day. I really enjoy looking up in London, seeing what’s at rooftop level. Years ago I used to tourguide down this street, on the upper deck of an open-top bus, pointing out this, talking about that. That was twenty years ago now, how things have changed. These rooftops have not changed much. Another thing that hasn’t changed much, Phantom of the Opera is still playing at Her Majesty’s Theatre, which is on the right there, at the corner of Charles II Street. I went to see it once, I knew someone who worked for the show who got me a ticket, and I had to enter right as it was beginning, so it was dark as I went to my seat, which was in the front row, where people have long legs that I can trip over, and I tripped over and onto my head, and nearly fell into the musicians. Fun times, always the cool cat I was. Bit of a silly story though, Phantom of the Opera, at least the bits where Jar-Jar was messing around. Lightsabre fighting was amazing though. Wow that was twenty years ago, I remember it so well.
A show I saw considerably recentlyer was Hamilton, which we saw right here in London two years ago, and then again in San Francisco last year. This is the Victoria Palace Theatre in Victoria, with Little Ben in the foreground. I drew this after leaving my Gatwick Express train and before jumping onto the Tube, that;s right, I arrive and immediately start sketching in the rain. Well I knew my wife would like this, she is a big fan of Hamilton the musical. I loved it too, especially the bit with the racecars, but I was sure Vettel would challenge him to a duel at the end, but he crashed out in the 46th lap after making another avoidable mistake. I have a really good memory for theatre stuff, it must be my degree in drama.
I didn’t draw much on this short London trip. It was really just to see the family, I just felt the need to come over there (maybe I had a feeling that 2020 would see us all stuck at home and unable to get across the Atlantic), catch up with some friends, and that’s it really. I bought a bunch of mince pies for christmas, a nice store assistant in Tesco Borehamwood showed me how to find all the boxes that had sell-by dates later than December 24, they were hidden deep. I was taking all my mince pies and yule logs and British festive foods with me to Hawaii for our Christmas vacation. But then it was time to go home, and sat on the plane I could tell was going to go home with a cold, just a feeling in my throat, back in the days when we just trusted our immense immune systems to do their job because that cold was probably just a cold, no worries. (It was, though I also picked up some bad nasal infection). I managed another sketch on the plane though, this time with the iPad, while Big Tex next to me planted his massive elbows on the armrest and beyond like it was manifest destiny. There was no social distancing in coach. It was another time, back in the 2010s.
One more thing, one more trip back in time. I flew to London via Las Vegas, as it was the easiest route, but it meant I had to stay the night. It has been many years since I was in Vegas, so this one night away was going to be a bit of a time-travel trip, and so I chose to stay at the Luxor, which is the hotel we stayed at before our wedding way back in the mid 2000s. We still lived in London them, so the Luxor felt big and glamourous and futuristic. Yeah not so much this time. I checked in fairly late, the desk woman barely saying a single thing to me as she snatched my credit card and scornfully slammed it back, “welcome to Vegas, now f*%koff to wherever”. Nice to feel like a valued customer, not even telling me how to find my room in this ridiculous headache of a shopping mall. The room was dark and a bit grubby, peeling wallpaper that certainly has not had an upgrade since we were here in 2004. I walked about the casino, a depressing experience, unsure of what the time really was, and went to find some food, which I found, and didn’t enjoy. This is one of the older casinos, of course, but I’m just so not used to Vegas any more. Worst of all though was the smoke, hanging over everything like a plague-ridden miasma. This is definitely something I don’t miss, choking in other people’s fumes, irritating my nose, throat, eyes, soaking into my clothes, in a huge concrete pyramid. That gave me a headache more than the flashing Wheel of Fortune machines. Still this is a trip back in time. I contemplated walking over to New York New York where I remember having a fun evening with friends at the Five Nine Irishmen bar or whatever it’s called, when my mate Simon had the worst Guinness he ever drank, but instead I stopped for a couple of drinks at the bar in the centre of the Luxor, and drew what I could see amid the colourful 70s style haze. I listened to people talk, it seemed to be a mix of locals hanging out there rather than tourists, and the cocktail I had was nice, and the barstaff pleasant. I went to bed and got a good night’s sleep before the flight to London in the morning, though my own airways couldn’t wait to get out of the building.
Decided to play with this big set of Prismacolour coloured pencils I’ve had sitting my cupboard, while watching old sports events, in this case the 1996 Monaco Grand Prix. That was fun. I really miss my sports. I especially miss the Formula 1, which nearly started they all went down to Australia, they were having practice and qualifying, and then decided maybe you know having a big event like this at the start of a major pandemic probably isn’t a good idea, so the season did not start. I love the F1 so the lack of it has been worse than not having the football. No honestly the way Jose’s Spurs have been playing, it’s not been missable. Watching this old and ridiculous race brought back some memories, and I had forgotten some of the drivers were that long ago, it doesn’t feel like it. Jos Verstappen was there, Max’s dad, for almost a lap at least, and Schumacher wet out early. Damon Hill was there of course but did not win. And of course Murray Walker, the great voice of Formula 1, commentating in his memorable diesel tones, and I had forgotten who he pronounces the word fastest like they are two separate words, “Fast-Est”. So, sat on the couch. The exercise I’ve gotten used to this past year has fallen away, I’ve been getting up too late in the mornings for my morning runs, just not been feeling it.
And here, using the pencils again, but this time sat at the dinner table (though admittedly we eat our dinner in the living room). These are drawn in a Stillman and Birn ‘Nova Trio’ book I got in Amsterdam last summer, it has grey, black and beige paper, so perfect for these sort of fun drawings. I watched the classic 1982 World Cup game Italy v Brazil, that was very enjoyable. I was only 6 during that World Cup so my memories of it are extremely foggy, just remember seeing them talk about it on telly, my brother watching it a lot, I remember Kevin Keegan being absolutely massive around then and that brilliant England shirt. I met Kevin Keegan 18 years later in Charleroi, in Belgium. This game though had the legendary Socrates (no, not that legendary one) for Brazil, and Italy’s Paulo Rossi nabbing a hat-trick. I’m gutted right now because all our youth soccer is being cancelled for the season, much to my son’s great disappointment. In particular, the Davis World Cup, our annual soccer tournament. I had designed the badge again, going for a very retro logo this year, but I’ll have to save it for next year. And change the year to 2021 obviously. Here they are, the three versions (for the t-shirts, medals, and other materials). After all this, the things we love will be back! In the meantime I’ll be watching old games, like listening to old records.
So, after all of this is over, we are all just going to go back to normal, right? We’re all going to be just fine, yeah? Day one back to work, shaking hands, get the bowl of chips out to share, totally borrow someone’s pen, casually touch the handrail without thinking, all back to normal, right? We’ll all be jumping back into crammed airplanes, crowding into cinemas to watch the latest blockbuster, squeezing in shoulder to shoulder at the local bar? It’s only been a few weeks, or is it a month, I am forgetting, but if this whole thing ever comes to an end, I don’t know what the social and mental hangover will be. As for the very real current events, well those numbers just keep getting worse, and that’s already a lot to think about. I look at the date of the sketch above, March 29, and think about how much worse it has gotten just in the two weeks since then. And yet, while March felt like the longest month, April is already half over and I don’t know where that went. Perhaps because so much of it was in the Current Routine of not going anywhere, and knowing that this will be the case for the next few weeks for certain, as the shelter in place order has been extended until May, and we’ll very likely be here for another month or two. This timeline sucks. Above, I’m on my bed, watching YouTube videos about maths (with Hannah Fry, who being similarly British also calls it maths, which is of course the right way) (actually I pronounce it ‘maffs’ because I’m from Burnt Oak). Maths it turns out is very interesting. I don;t remember it being quite as interesting when my old Maths teacher Blindty was drilling it into us, old-school. It wasn’t really my subject. I liked (surprisingly I know) Art and Languages most at school, though I did enjoy History (except when I was spectacularly not very good at it at A-Level) and English (although I had a teacher who told me I would not pass the GCSE; turns out she was wrong, and I ended up getting a Master’s degree in it). Still, if she saw my writing now she’d probably say the same, and the way I ramble on I can’t really blame her.
And so I’m continuing to draw the house. I’m also occasionally looking out of the window. We had some great storms pass through recently, dropping a lot of rain and making me feel much better about being indoors. I looked out of the window last Sunday and sketched the view. I don’t spend as much time looking out of the window as when I was a kid, when I’d stare at the sky above my part of north London, but now I mostly see trees. You can see the head of my guitar in the bottom corner. I bought that in December 1996 at Macari’s in Charing Cross Road. It’s my dearly beloved acoustic, but I don’t play as much as I used to. I really should. Should I though? Maybe not. I was never that good at it. I enjoyed music more when I was younger, and had a good ear for picking things up. I let that slide too much years ago, and ah well. It’s funny, while This Whole Thing* is going on we might all feel a lot of pressure to start doing all of these things we should be doing, start playing an instrument, learn a new language, make hilarious quarantine videos with the whole family (people were doing that after like one day, weren’t they?) but there’s so much anxiety I can barely do anything at all some days, except what I usually do, which is work and draw. And drawing really helps. Lately I have started a new drawing project, to fill an entire book with google street view sketches of the whole of Britain. Problem is I am already finding it hard to decide where to draw and what to miss out. The book can fit at most 60-something sketches, so I’m capping it at 66. It’s a mystical number in Britain after all. I’ve just reached Devon. There’s a really long way to go until John O’Groats…
*I realized that “This Whole Thing” is what I have been calling this whole thing. That’s my name for it. I have been writing down a list of some of the phrases I have heard or read. Strange Times. Odd Times. Unusual Times. Extraordinary Times. These Difficult Times. Uncertain Times, Unfamiliar Terrain. Unprecedented Times. Living Through Something Extraordinary. The Current Health Situation. The Current Virus Thing. Twenty bastard twenty. (I made that last one up).
Because I was so lax in my posting (“lax” is another word for “lazy”, but my excuse was I had lots of books resting on my scanner and if I moved them the cat would jump up there and wow is that the time, gotta go) I never got around to showing the results of the recent “Let’s Draw Davis” sketchcrawls, those in October, November and December 2019, as well as February 2020 (we missed out January because I was very busy coaching soccer, and right now with the planet on hold, I’m not doing so much of that). So, now is a good time to report on the sketchcrawls. By the way, “Let’s Draw Davis is a series of sketchcrawls – meet-ups for those who want to sketch with other sketchers and then show each other their sketchbooks at the end – that I started back in 2010 after I came back from the first Urban Sketching Symposium. I had been on sketchcrawls in Davis before – the very first time was way back in December 2005, one of the early Worldwide Sketchcrawls (Enrico Casarosa’s ones, they are still going every three months), and I joined in a few other times since, but I decided that we as a town really needed to have something more often, monthly, advertised, free and open to anyone at all who likes sketching (as the worldwide sketchcrawls always are), non-judgemental, non-critiquey, beginners or experts just getting out and seeing their town and putting it in sketchbooks, and then if other people see you doing it, they might be inclined to join in. Being monthly means that if you miss one another comes along next month. except, sometimes it is difficult to organize them, so there are now a few others who help with the organization, and we have a really good group of regulars (including of course Alison and Allan who were sketching with me even back in that early ‘crawl of 2005, and inspired me to keep sketching Davis). There have been a lot of sketchcrawls over the years, most of the same locations repeated, I’ve made a lot of posters (and stickers and occasionally maps), and also made many sketching friends. Perhaps my favourite event was the 2017 Davis Centenary sketchcrawl, when we drew buildings that were all 100 years older or more. Let’s Draw Davis (I came up with that as a name while furiously scribbling notes on the flight back from the Portland Symposium, full of energy and ideas, finally deciding that to needed to ‘get myself out there’ in the art world of Davis rather than always hiding away, actually meet other artists and learn about their work, and it’s been for me personally a great success on that point). From there I did a sketchcrawl in London to mark the launch of the new Urban Sketchers (USk) London chapter there in 2012, called “Let’s Draw London” (I really like alliteration; this one kicked off the “Let’s Draw London” sketchcrawls that have continued ever since). I have long thought about doing a monthly sketchcrawl in Sacramento called either “Let’s Sketch Sacramento” or “Sacramento Sketch Saturday”, and if we ever get the Earth back to normal I still plan on doing that. Oh I have lots of plans for all sorts of themed sketching events.
BUT ANYWAY… the recent Let’s Draw Davis sketchcrawls!
OCTOBER 2019: OLD EAST DAVIS
Ok we will start with the one in October. This one was in Old East Davis, which is the the few blocks east of G St downtown. It’s an old neighbourhood, with some interesting houses (such as the Schmeiser House – aka the Swastika House because of the big turn-of-the-century swastika in the brickwork on the chimney). We met at the Amtrak Station, did a bit of sketching around there, and then went off from there. I enjoyed talking to people about perspective, giving a few pointers here and there, but then I wandered off and drew a few things, starting with the ‘Davis Tower’ opposite the main Amtrak station building.
I then went along 3rd Street, opposite the Trackside Center which has been threatened with redevelopment for a while now, but it doesn’t seem to be happening just yet. This is the entrance to the Cable Car Wash.
And this is the long-term favourite subject of mine, Nails By Tam. Now I drew this originally back in 2006 with coloured pencils, before I even started using watercolours to colour in my sketches, and I’ve also drawn it when it was in a different location, but it seems to be back here now. It’s a little out of the way, I sued to cycle past it on my way home years ago, so it reminds me of the first half of my Davis existence, I felt a lot younger then.
Then we all met up again at the Amtrak station…
NOVEMBER 2019: FIFTH STREET
For November we met at the corner of Central Park for a sketchcrawl along Fifth Street. The annual Turkey Trot race had just packed up nearby – I ran in that race by the way, I did the 5k! I am really into running now – and I had my new iPad, so was able to do a quick demo of how that works, showing a video of a sketch I did on a trip to Portland the weekend before. But I love my pen and paper, so my main sketch that day was the corner of 5th and B (actually this stretch of road is where 5th stops and becomes Russell). Highly autumnal (or fallumnal as I think they say over here):
Then i turned the other direction and drew with the iPad. I never quite finished it off (I could have done later but I never had the time) but it was fun to do this and show people how the iPad works for this sort of thing. I’m very much still learning though.
And we met up right there afterwards – Marlene Lee took these photos, you can see more at the FB page: https://www.facebook.com/LetsDrawDavis/
DECEMBER 2019 – E STREET PLAZA
For the festive crawl we went back downtown to the big Christmas Tree on the E Street Plaza. For this I also used the iPad, sketching in ProCreate. I have drawn the tree that is put up here a few times, even though I always say “last time! I don’t like drawing Christmas trees!” But actually it turns out I do, especially when I have a new toy that makes drawing the lights and baubles so much easier. I was still getting the hang of colouring in but I like that you can do the sky in a different layer and make the clouds look all fluffy. Also you can zoom in to draw smaller details. Merry Christmas folks, several months late!
In the window of the Avid Reader Active store was a large well-dressed Santa Claus.
I went to draw Zia’s deli, though I never got around to finishing it so it stays like this. I wasn’t feeling that energetic that day (I had just gotten over a cold I caught in England a couple of weeks before – these days I’d need to quarantine myself for ages if I felt like that again) so after standing for over an hour sketching a Christmas Tree I had little zap left, so I rested and went inside to look at pannetone. I love a bit of Italian pannetone at Christmas. Then to finish off the day I sketched the glorious orange trees near the Union Bank.
Here are some of us who finished off the crawl, this is Jim Coulter, Allan Hollander and me with my iPad (this is another pic by Marlene Lee from the FB page).
FEBRUARY 2020 – ORANGE COURT
And so bringing us into the Present Day. Present Day? February 29th was just over a month ago, but if that wasn’t the longest month in the history of months I don’t know what is. March 2020 was a bit crap, but we closed out February with a lovely sketchcrawl down at Orange Court, one of my favourite spots in Davis (because it’s where you find Sophia’s Thai Kitchen, my favourite food in Davis). We had a good turnout, and as it turned out, this would be the last bit of social gathering for a while.
We were supposed to have a sketchcrawl in March at the UC Davis Arboretum, but that got cancelled, along with everything else everywhere. We now live in Shelter In Place world, with no end in sight, so perhaps the next Let’s Draw Davis sketchcrawls will be virtual. In fact, I’m going to look at my calendar (yeeeeep, seems to be free) and schedule one soon. It’ll just be drawing the view from your window or something but hey, that’s something. Ok, I’ll announce that soon.
In the meantime you might want to check out the Let’s Draw Davis FB page at: https://www.facebook.com/LetsDrawDavis/, where we announce all our sketchcrawls and such, as well as the public group page where people can post their own sketches of Davis or results from the sketchcrawls: https://www.facebook.com/groups/LetsDrawDavis/
Phew, that was a long post! The next one will be shorter, and then there will be another long one, and that one will have more of the silly nonsense like in the one about 1980s/90s British kids TV shows, but will probably be about X-Men or ramen noodles or something.
I was Drawing the Living Room before it was cool.
This was done back in early November, shortly after I got my new iPad Air and Apple Pencil, and I was trying out ProCreate for one of the first times.It was a Saturday afternoon, and staying in on a Saturday afternoon (after a busy Fall Season of Soccer) felt like such a luxury. I put Time Bandits on, got out the iPad, and sketched away. Time Bandits is one of my favourite films, ever since I was a kid and would watch it all the time. I didn’t exactly get John Cleese’s Robin Hood down (or even looking human) but I think I nailed David Rappaport’s Randall. I really like sketching with the Apple Pencil, though it was an odd sensation on such a smooth surface at first, I really find I enjoy it more than with the Surface Pro’s pen for example. I love it for note taking as well, one of the great things about that is that you can spend the whole meeting scribbling football shirts and Magneto or just random patterns, and then just erase them quickly when someone looks over their elbow at you, or if you need more room for the real notes. I cannot stop actually using a pen in any way, that has been my way since I was a kid. Constantly scribbling on stuff. When I’m on the phone I draw the most detailed nonsense. So, one of the other interesting things about sketching with ProCreate is that you can use layers, so you can do the linework on one, colours on another, maybe a layer of warm airbrushes, and they all go together, it’s a different way of sketching, and I love it. I want to play with it more (and I have been).
Time Bandits though, Time Bandits always makes me happy. Right now I’d love a Time Hole Map.