I love sketching in Soho. You can do a sketch of something, and then just pop into an old pub and sketch in there. Sketch, and repeat. There are so many old pubs in soho to choose from. My friend Simon and I sketched down in Manette Street, just by Foyles Books (one of my favourite bookstores in the world), which as you may see I have called Mallet Street. Mallet Street is in fact somewhere else; oh dear, my A to Z London memory is starting to fade. We sat in the cold outside the Borderline club, a regular haunt of mine in the mid to late 90s (those indie nights) and I drew the back of the Pillars of Hercules pub, with the covered alleyway leading into Greek Street. Fingers freezing, we finished up and went inside for a pint of ale. I must say: though I love old English pubs, I’m not really a fan of the beers here any more. I’ve been rather spoiled by the West Coast micro-brews. Oh I don’t dislike them (in fact give me a Youngs or a Fullers any day), but these Adnams ones, well I would much rather have had a Fat Tire or an Anchor Steam. I think if I had English pubs with West Coast beers, I’d be a very happy man. And probably hung over quite a lot.
Category: sketchbloggery
straight out of the sketchbook
whenever i walk in a london street
…I’m ever so careful to watch my feet. Sometimes though it is good to stop and look up. So this is Tottenham Court Road, by Goodge Street, looking out at BT Tower. I was meeting my friend Simon one chilly Friday for an afternoon of sketching in Soho. They don’t sell Micron Pigma pens in London (I asked), so before I depleted my supply I popped into Paperchase on Tottenham Court Road and picked up a Uni-Pin fineliner, which works very nicely. I did find, on my sketching outings, that I would often have to use several pens in each sketch – they don’t react too well to freezing temperatures and often give up the goat (or is it the ghost, I forget), so I would have to put one in my jacket pocket to warm up while a subsititute would come on for a little while. I tended to rotate three pens on an given sketch. It reminded me of playing football when I was a kid and they would take you off for a while to give another kid a go while you put your warm coat on. Anyway, it was with cold fingers that I drew this scene, thinking about when I used to catch the bus home up here, the 134 to Archway, several years ago.
Passsers-by were very friendly. Several people stopped and asked me about the buildings I was drawing. I told them, in this city so few people look up, just staring at shop level or avoiding the masses of bears who wait at the corners all ready to eat the sillies who tread on the lines in the street, and though those old facades are grimy and ridden with pigeons and pollution, the architecture hidden in plain sight is really very interesting.
also posted at urban sketchers
please beware: this is the bald-faced stag
It actually says that on a sign on the door, honestly. This is the (infamous) Stag, on Burnt Oak Broadway, scene of many a late-night punch-up over the years. Everyone knows the Stag, it’s one of those pubs which are always there, central to a neighbourhood, not just any old boozer, a character in its own right. I don’t go there, personally, but I did pop in to finish the colour in this drawing in the warmth. I did feel a little self-conscious getting my little watercolour set out, not exactly hard-as-nails, but nobody cared. I hadn’t set foot in there for many many years, since I was a kid. My nan (‘nam’, we called her) used to drink in here every single day, she was a true regular. I imagined her sitting in that seat by the window where she always sat. I got all nostalgic. I could smell the cheese and onion crisps. There weren’t many people in there, but the conversations were generally littered with “f***ing this, f***ing that”; having lived in the swear-free States for a few years now I had forgotten how many times you are supposed to put the word “f***ing” within sentences when you come from Burnt Oak. It’s really a f***ing lot.
After sketching this, I popped into a Romanian cafe/bakery across the road, and had a cup of tea with the owner, a Romanian man I hadn’t seen in over twenty years, an old family friend. That was nice; he gave me a huge plate of Romanian cream cakes to take home to my family. A fun first day back in Burnt Oak, the f***in’ town where I was f***ing’ born, innit.
home again
I just got back from two weeks in London, where the weather was changeable and there was Match of the Day, trifle and turkey rasher sandwiches to look forward to. And now the scanning and posting begins in earnest! I sketched a lot in London. There was a lot to sketch. But it was cold, very cold, sometimes wet, very wet, and the sun went down at about half-past three, so it was dark, very dark. I loved it. I do miss my home town sometimes.
However, by being across the pond we were missing Thanksgiving, so my American wife cooked my British family a lovely Thanksgiving meal of roast turkey, mashed potaoes, green beans with caramelized onions, gravy and amazing pumpkin pie to finish it off. Thanksgiving is my favourite of the American holidays, by far, so it was nice to share that with my family in Burnt Oak.
I got up very early (jetlag) and sketched in the kitchen, pre-meal. I also drew a slice of the living room. I wasn’t involved with the cooking; my job that day was to entertain my son, so I took him out and we explored the town where I was born (well, the suburb), the park, the shops, the library. This is the house where I grew up, drawn quickly in purple micron pen.
It was nice being back home in the UK, though it was only for a short while. I enjoyed Match of the Day (Lineker and his banter with Hansen), I lapped up the trifle (especially my brother’s, he has a secret recipe), and I ate a lot of turkey rasher sandwiches. Bliss.
they say that london is brighton-by-the-land
I’m still here folks. Well, not here, but there. Freezing my little fingers off, not to mention my poor Pigma Micron pens (unused to sketching in such climates, and you can’t even buy them here), in my home town. Just below, Moley #5 on Tottenham Court Road, just down from Paperchase, just before midday.
The Moley and the Microns (and a Uni-pin fineliner) have been kept very busy, up and down the streets. I will scan all at some point, but not just yet. And that title is a David Devant-ism, if you’re interested. Meanwhile, I am enjoying Match of the Day, Cadbury’s Chocolate, Trifle, Tesco Metro, Unpredictable Weather, University Challenge (I had forgotten just how fast and long those questions are!!), Expensive Lukewarm Beers, and Highgate. I am nonplussed by cultural references (who the bloody hell is Jedward? Please don’t answer), astounded that I’m a bleedin’ Celebrity is still on the air, and please what has happened to all the Lilt, I can’t find it anybloodywhere. America may as well be a million miles away to me: I’m back home, briefly.
in the city there’s a thousand things
I added colour and some more pen to the drawing that I started the other day. I’m pleased with the result. This is a really cool and colourful corner of a cool and colourful city; the view from City Lights, in San Francisco’s North Beach, down Columbus, towards the Sentinel Building, the Trans-Am Pyramid, and the Financial District. I love it down there. This was drawn partly from a photo and partly from a similar drawing (so you wont see this on urban sketchers), both from a trip made last March, when it rained a little. I had just had a doughnut for breakfast. It was very good. I might give this away. Not to you, unfortunately; sorry. To someone else. I am however likely to be making prints at some point (my famous words, ‘at some point’). But I think with this picture I will, because I want one. Know any good print makers?
This was drawn with Copic pen on Canson watercolour paper.
power of vito
Second and final drawing of my short sketchcrawl yesterday, which was interspersed with getting hair cut, shopping for Christmas cards, and generally cycling round thinking, ‘oh I’ve drawn everything in Davis, I’m so uninspired’. So I stopped for lunch. A beer (New Belgium 2 Below, if you’re ordering), and a mountain of garlic fries.
I made it a little over halfway through the mountain of garlic fries – I’m still suffering, next day – before going home. A big trough of garlic fries, it’s so unlike me. But I came in here – Uncle Vito’s, on the corner of E and 2nd – to draw the bar, so draw it I did. You can see me in the mirror there. There’s a bit of beermat philosophy that was going through my head as I made my way through the garlic fries surplus.
This place is fairly new, and occupies the space formerly tken by the Davis Driving School, and a little (cheap and not particularly good) chinese place called, I kid you not, Wok and Roll. They didn’t do garlic fries, but I can’t say they didn’t do stomachaches.
away from the numbers
Today was the day of the 25th Worldwide Sketchcrawl – in fact it was also the fifth anniversary of the first one. I was pretty busy today, getting my hair cut and other important stuff, so wasn’t able to really take part, but I brought my sketching stuff with me (as always) downtown and managed to knock out a couple (by that I mean, draw two pictures, not actually knock out some poor unsuspecting couple). The second one was done while having a beer and some garlic fries (some! it was a mountain, I barely ate half). The fries made me feel sick, but they were tasty. I haven’t added colour to that one yet so you’ll not see it here just yet. I didn’t manage to meet with the main Davis sketchcrawl (I forgot to check the forum before I left). It was cold today, cold and bright. My micron pens were feeling it. I managed to draw this one (very typical pete, tree coming out of the top of the frame) in a quiet courtyard on C street, behind the Davis Community Church and away from the throng of the Davis Farmer’s Market. What a wimp, I thought to myself. How can I be cold? People all over the world are sketching in colder and probably wetter places than me. But I made sure my next sketch was indoors. Am I becoming a Californian?
the e street strummer
He stands outside Chipotle and Peet’s Coffee n E Street, busking on his twelve-string at lunchtimes when I am there, sounding like Dylan, Nelson, Haggard; his music is very nice. He has one of those harmonicas you can play while guitaring; no cymbals at the knees though. Very distinctive with his long white hair, moustache, sunglasses; he has a long feather in his hat. One of the characters of Davis. He was singing a song about watercoloured wine while I was drawing this, munching on my burrito. It was cold outside; November is really kicking in. The Fall Colours have just exploded all around us, the trees have suddenly turned the colour of flames, and there’s no way I’ll keep up with them.
life’s a beach
A few more details to add, plus a colour wash, and this will be done. I have drawn this before, in cobalt blue; this one is entirely from the photos, rather than started on site and abandoned due to rain, to be finished at home. It is North Beach in San Francisco (but where’s the beach, I ask you?), the view down Columbus from City Lights. I like that Vesuvio place, I want to go back there some time. Those lines in the distance are the lights from an alien spacecraft that is beaming its little green people down upon the foggy city, where they will probably ride the cable-car and see the sea-lions at Pier 39.








