Since today’s the last day of November, and tomorrow is December, here’s a bunch of sketches from around Davis this past month showing the colourful trees they have nowadays. You’ve seen them, the trees they have now, with all the colours. It can be very exciting, especially for the person with a paintbox who just has to record it somehow. Above is Oak Street, I cycle down here every day, and now the sun sets so early I cycle up it every evening in the dark, and there are no streetlights (but occasionally piles of leaves in the bike path). This was back on the 19th; today is the last day of November. I heard this morning that Shane MacGowan has died. He was 65. I am really pretty sad about it.
I stood on the corner of Russell and Miller to draw this. Russell and Miller sounds like one of those comedy duos you used to get, one of those ones that were extremely unfunny, but had absolutely no idea how unfunny they were. A bit like Hale and Pace, but even less so. I also sounds a bit like the sort of law firm you have to call if you get bitten by a dog, or if your foot gets run over by an e-scooter. In the foreground is one of those ‘Spin’ bikes, you’ve seen those, those e-bikes they have nowadays. You’ve seen them, you use an app, there’s a bike, it rides a bit faster and you can appear suddenly behind regular bikes on the bike path like “surprise!” before whizzing by saying “see ya later suckers!” and then when you want to stop using it, you can just get off an leave it in the middle of the sidewalk in the way, so someone else can come and have a go. There used to be ‘Jump’ bikes, now there are ‘Spin’ bikes. There are also these ‘Hump’ bikes, looking more like modernized mopeds but completely silent and people ride them on bike paths at twice the speed of a normal bike. They give me the ‘ump.
In the sketch above, I drew with the full intention of adding in the yellowing oranges and browning greens of all the foliage, but didn’t get back to it later, and so I left it up to your imagination. The great thing about this is I can re-use it in April or May, and colour the leaves in a more spring-like green. It’d be like going back to an old song and reworking the bass or adding better lyrics. This was on 4th Street, in the run up to Veterans Day.
So, Shane MacGowan has died. The first record I ever owned that was all mine was The Fairytale of New York, which if memory serves my mum got for me as a present a few weeks before Christmas in about 1987, and which became an instantly beloved classic in our home, and everywhere else too. I still have it. We had a lot of Irish music in our house, a lot of music in general, but we loved the Pogues, and Shane MacGowan sang in an Irish accent, though he was from London, and was absolutely one of a kind. Our world was Irish north-west London, this was us.
This one above was drawn on one of those Saturdays when I needed to get out and sketch, to look for those autumnal leaves, and grab a milkshake before cycling home on my regular acoustic bike. I listened to a podcast talking about George Harrison and the Travelling Wilburys. I loved George, but back when I was in my early teens, the Wilburys were a bit of a joke, a bunch of grandads (in their forties). Back then, I became obsessed with the Pogues. I was obsessed with the Beatles, and the Sex Pistols, but at the end of the 80s I loved the Pogues. I remember buying the Peace and Love album from a record seller at the Irish Music and Dance Festival in Southport (at Pontins, Ainsdale Beach). We would go to every year for a week of listening to Irish greats like Brendan Shine and Philomena Begley, and I’d get to hang out with other Irish immigrant kids from all over the UK, getting pals from Glasgow and Lancashire and Birmingham and all those Irish bits of London. I never got to see the Pogues live. I think my mum did, and I know my cousin had seen them playing in Archway many years ago. I listened to their greatest hits on my cheap portable tape player, travelling all over London on the tube or on the bus; walking down the south bank of the Thames listening to ‘Misty Morning Albert Bridge’; I remember sitting opposite Parliament, I must have been fifteen or sixteen, long before the London Eye ever came along, and drew Big Ben, and was chatting to this homeless guy from Liverpool, and he told me all about his situation, I remember giving him the drawing when I was done, and he was really nice, and I remember thinking a lot about that conversation on the way home. I think about those years when I hear the Pogues, I was an awkward skinny freckly lad with untamed red hair and creative energy fighting to get out, and I played my guitar a lot, badly I might add, and I played mostly Pogues songs because they were easy as fuck, three chords in a few different ways, and lyrics that were picked right off the littered streets where I was living. I used to get this book of Pogues lyrics out from the library. I actually used that book for a study in poetry for one of my English GCSE exams; I don’t think my teacher was impressed with it. But they were presented as poems, and they read like poems. They were illustrated by this guy who would mostly just scribble in biro and it would be brilliant, and I loved that complete looseness, matching the ‘tripping-over-the-kerb and getting up again’ of the lyrics, telling so many stories about the simplest things, a freedom of expression I found so hard to achieve. I could not sing, I still can’t, but Shane MacGowan, his voice, his looks, his whole presentation, it felt like you didn’t have to be ‘good’ at something to be great at it, he was great, the Pogues were great. I played songs with D and G and A a lot, to the point that the frets on my Westone Concord (which is still living at my mum’s house, hiding from view) are to this day completely worn down in the chord shape of D. Three chords is really all you need mate, boom there’s a song. Years later at the end of the 90s, while I was living in Belgium, I actually wrote a song called ‘Misty Morning Waterloo’, a tribute in the title (though actually about those foggy mornings leaving London on the Eurostar to go back to Brussels, I always hated leaving London behind), and that only had two chords in it. If I’d just tried a bit harder, I could have got away with one chord.
So yeah, I’m very sad about today’s news, and I’m going to spend the next few days thinking about Shane MacGowan, listening to the Pogues, thinking about London, listening to ‘London You’re A Lady’ (which is probably my favourite Pogues song, an absolute belter of a poem and always makes me sad thinking of my old home town). But it wasn’t the only news of one of my late 80s London heroes dying. Terry Venables, ‘El Tel’, one of my favourite Spurs managers, died last week too, and we all loved him. November 2023, you took a toll. The sketch above was drawn on campus, in the middle of the month, those colourful trees were just begging for someone to sketch them. It’s December tomorrow, and then this godforsaken year is nearly over, and then there’s another godforsaken year coming right up. I’ll keep on scribbling. Below, last one in the set of November’s trees, another escape downtown catching the colours at the corner of 3rd and D. November is done with now.




















