I said before that every day is Friday 13th these days, but at least the actual Friday 13th has a Saturday after it, I suppose. Halloween is coming up too; I am less interested every year, unfortunately. Remember that one year I drew loads and loads of Halloween stuff, had a Halloween party and drew the invitations, drew most of the decorations, we made costumes, I’ve not even got a pumpkin this year. Well, a very small one at work, on which I have drawn a cartoon of King Charles III with a pumpkin on his head, ‘God Save The Pumpking’. That sits on my shelf. We had a real Friday 13th a couple of weeks ago, and it was no less of a Friday 13th, so to de-stress a little I of course entered the sketchbook at lunchtime. I remembered back 17 (seventeen!) years, to Friday October 13th 2006 no less, a barely recognizable world away, when I also drew at lunchtime, and I had drawn the side of the Bike Barn, the first time I had ever drawn that building. That sketch is below. I wanted to draw it from the same angle, to see what had changed (obviously my sketching style has changed, though I still can’t draw bikes, that’s the same). Those taller trees are gone, replaced with much smaller trees. People now whizz by on those electric scooter things that so many people have now, silent platforms whizzing up behind you on the bike path. Still I think in 2006 I was definitely expecting actual Hoverboards by 2023 and we don’t have those yet, these are the closest thing. They may as well be Hoverboards. In the sketch above I’m drawing on Stillman and Birn Alpha paper with a Uni-ball Signo UM-151 in black-brown, coloured with watercolour. Below, well that was my first Moleskine sketchbook, and it was the ‘regular’ Moleskine paper not the watercolour stuff I have used since 2007, I didn’t know about that then. It wasn’t in the landscape format I’m so wedded to now, but I had seen so many sketchers online using this Moleskine sketchbook that I thought, right, I’ll try that too. And boy did it not work for me. See people would use it because it was popular, but nobody seemed to actually like it. The paper was too waxy, so most pens just couldn’t write well on it (I discovered several years later that the Uni-Ball Signo UM-151 in black actually works perfectly on it, it’s the only thing I’ve used that I’ve liked), and as for using watercolours, well forget it, you may as well be trying to watercolour paint on a jar of honey. Pencil was fine, but the paper is so smooth that there’s no character. It’s also very yellowy, which has its charms I guess, but that yellowy tinge when you scan it makes you feel a little ill. What pen did I use here? I think this was before I was using the Micron pens, so it was probably a regular old Uni-Ball from Office Max, those were good but nothing like as good as the UM-151 and didn’t perform well on this paper. (I tried my new fountain pen with fantastic document brown ink on this paper recently to see how that would be and that was not a pretty sight). For colours, I used the coloured pencils I would draw with that year. I had this set of watercolour pencils, but I’d already learnt that I wasn’t going to work so well so just used them dry. I liked it, but have never gotten on board with good coloured pencil use, that particular art avenue never opened up for me. Still, I really liked this sketch, and for a piece of observation and development this was an important one for me, maybe my best Davis sketch to date. A good feeling about a sketch can propel you to keep going, and this one definitely did that. You never know where it will all end up, so in the meantime just keep on sketching.
Seventeen years though. 2006! People talk about that time now in retro terms, which is scary, like we would talk about the 70s back in the 90s. This was the end of that long first summer I had spent in Davis. I spent a lot of time riding around on my bike, in the heat, listening to this one album by Belle and Sebastian that came out that year, I got a new guitar, I started drawing a lot, having started to discover other sketchers online starting to form connections (two years before we coalesced into Urban Sketchers, when we all had our own blogs and created Flickr groups, and before all the Social Media madness overtook everything) (except MySpace, that was still a thing for another year or so). That summer I went back to London for the first time since emigrating, and spent about three weeks there, just seeing friends and family, very relaxed, still young. 2006 as a time period feels so long ago. I don’t know how different Davis feels then from now, compared to how much London has evolved since then, for me obviously I’ve just been here longer, sketching everything. If I moved here now as opposed to then, it would probably not feel so different. The world at large though, that feels very different. In some ways better, in a lot of ways worse. I’m glad I was young when I was. In these days of constant information/misinformation bombardment it can be very stressful. I’ve always had a sketchbook to climb into, that’s still why I use it. I’ve changed – maybe. I’m just older, have a bit more confidence, have many years of work-work and sketchbook-work under my belt. I found a note I’d written from Friday October 27, 2007 (sixteen years ago tomorrow), the other day. It was in the pack pocket of that Moleskine, funnily enough, and I was clearly in a bit of a funk about being able to do anything, something I’m still familiar with. It said this:
“While scratching my unshaven chin and frowning at a pile of papers I came to a sudden conclusion today. I cannot write, only wrong. I make no art, only fart. I can’t compose, only decompose. My guitar is better displayed than played, at least by me. My sketching is sketchy, my drawing barely draws breath, and my painting ain’t. I can’t debate, only outdate; I can’t converse, only confuse; I can’t think, only splash ink. *I might feel different when I shave!”
I mean, all of that is still true, I still feel like that every now and then (and I always feel better when I shave and cut my hair). But it’s still a busy-October way of feeling. Too many Friday the 13ths.

