It rained hard on the train journey to Glasgow. I suppose you don’t come to Scotland for the sun. We passed by Falkirk, a place I’d like to have seen, mostly for the huge Kelpies. We arrived at Queen Street and the rain stopped for long enough to let us walk up hill to our hotel, further than it looked on the map. We sat in the hotel lounge watching the driving rain outside, eating those little Tunnocks marshmallow Teacakes I love so much, strumming on the ukulele. I could tell my family were maybe a little less wowed by Glasgow than by Edinburgh, but I’d been waiting most of my life to come and have a look around here, rain or not. I went for a little walk as the rain eased off a bit; we weren’t far from the Art School, but after the big fire they had a few years back, it’s still covered in this big white plastic while it’s being remodeled. Glasgow’s an artist’s town though, that is clear. Charles Rennie Mackintosh is the big name here, but he’s not the only one. Musically too, Glasgow is a creative city, and one of my favourite bands of all time are from here, Belle and Sebastian. I’ve always wanted to come here and explore.

I wandered about a little, and then I heard some music, it sounded like flutes and drums. Marching up the road were the men and women of the Orange Order, decked out in their suits and their orange sashes with their big orange and purple banners, lads in Rangers shirts flanking them, as well as police clearing the road for them. I was glad I wasn’t in my Celtic shirt, nor my Ireland shirt. I had heard about the Orange Marches since I was a kid of course, the ones in Northern Ireland at least, usually in the backdrop of some news story, and I had forgotten that Marching Season was starting. I knew from my mum that it was big in Glasgow (she spent some time in Glasgow as a kid, I think some of our Ulster family lived up here), and of course I’m well aware of Rangers and Celtic and the whole sectarian thing. Still, I was actually surprised to see them in person. I did see them marching the day before in Edinburgh actually, going up the Royal Mile in the morning with their flutes, playing “The Sash Me Father Wore” (I am sure they have other tunes, that’s the only one I know). It didn’t seem as big (though I saw coachloads of other men in orange sashes arrive a bit later), and was certainly dwarfed by the huge Pride marches that were happening on the same day in Edinburgh. The Glasgow march seemed to go on for a long way.  I got a quick sketch done, and went and looked at something else.

When the rain had stopped and we were filled up on delicious fish and chips (washed down with more Irn Bru of course) we walked about the city centre. The pedestrianized Sauchiehall Lane looked like it had seen better days, and could have done with a little less of those food delivery bikes careening down them, a scourge in many cities now. But I liked the city centre, and while looking at our map a young lad came up and said “you look lost, can I help youse find something?” This it turns out was a feature of Glasgow – the people are just willing to give you a hand, this happened several times. We explored the George Square area and found that statue of the Duke of Wellington on his horse with the traffic cone on its head, outside the Gallery of Modern Art. I have seen this before on my one super brief stop in Glasgow, in 1999, and its the only thing I remember. It’s a Glaswegian tradition to put a cone on the head of the Iron Duke. Incredibly they have tried to stop people doing it, yet the cone is way more famous than the statue without the cone. We took a bus out towards Glasgow Cathedral, and on the way an elderly fellow had overheard us tell the driver where we were going, and was giving us directions in that thick Glaswegian accent that I love hearing so much. Honestly, it’s always been my favourite accent. My best friend when I was 12 was from Glasgow, Ralph, I think we became friends largely because I actually tried to understand him, but as a result of his influence at a formative age I do slip into a kind of Scottish pronunciation of certain words when I hear the accent again. I also watched maybe too much Rab C. Nesbitt as a kid as well. It was Ralph who got me interested in the guitar, and we were both big Beatles fans; I remember we talked about starting a band called The Flies, and eventually I got a cheap pretty crap acoustic for a fiver at a car boot sale, and learned my first chords (and also taught myself how to string a guitar). Anyway, we got off the bus and followed the old man’s helpful directions to the cathedral, known as St. Mungo’s Cathedral, and also the High Kirk of Glasgow (I’m not sure if it’s technically a cathedral, as we learned with St.Giles in Edinburgh, but it calls itself cathedral and it looks like one and that’s good enough for me). The cathedral was not actually where we wanted to go. We were looking for the Necropolis, which is a large cemetery at the top of a steep hill behind the cathedral with amazing views over the city. See my sketch at the top of the post, that was from there. The views were remarkable, you could see Celtic Park stadium, but we didn’t linger too long. In terms of location, I think it’s up there with my favourite cemeteries, and I was even more pleased to find the grave of William Miller, the guy who write Wee Willie Winkie. I took this photo of an ivy-covered memorial to a young lad named John Ronald Ker, who in 1867 had drowned while shooting wild fowl from his boat at the age of 21, and this monument was erected by his friends and family in his memory. It’s a beautiful celtic cross, and a sad story.

After the Necropolis, we bussed it back to the hotel and relaxed for the rest of the night, eating more Tunnocks Teacakes. More Glasgow sketches to come.