I haven’t been drawing much this week, but this is one from a couple of weeks back that I forgot to scan. My wife got me some Weihenstephaner beer, ‘Festbier’ (it is October after all), and to go with it she also got me one of the really big litre-sized beer glasses. I had to draw it! (My brown sketchbook as you may know is for beer and beer glasses now). Weihenstephaner is the oldest brewery in the world, and we visited it just outside Munich when we were in Bavaria in 2005. I really like their beer a lot. One of the reasons I went there is because at the time I was studying Germanic Philology, and had just written a paper about the competing influences of Old English and Old Gothic on the vocabulary of Old High German, specifically in the field of religion (they being the chief importers of Christianity in Germania), and one of the focuses was on the two words for ‘holy’, ‘heilig’ being the Anglo-Saxon inspired word (from ‘hálig‘), and ‘weihe’ being the Gothic preference (cf ‘weihs’). Ultimately the preferred English form gained most use, though some of the old Gothic-inspired words can still be seen in place names, such as ‘Pfaff’ and ‘Weihe’, as in ‘Weihenstephaner’. Interesting, I thought, so I went there and got a beer.
Wow, it has been three months since Lisbon! It’s quite incredible. The second Urban Sketching Symposium was an overwhelming experience, and it was so much fun to spend good sketching time with so many other urban sketchers from around the world, many of whose work I have followed and been influenced by for years.
During the Symposium, Portuguese journalist Patrícia Pedrosa filmed some of the workshops, and has produced a couple of great videos which bring me right back to Portugal. The first documents Day One, the second Days Two and Three. You’ll spot me I’m sure, the one holding his pen in a funny way and crouching distorted on the ground. Here they are: I hope you enjoy them!
See this post over on Urban Sketchers. Thanks Patrícia for producing these!
This is the old Tank House, the one that used to stand, minding its own business, in between the Hunt Boyer House and the Varsity Theatre downtown on 2nd Street, until one day when Mishka’s Cafe decided to move from one block away (didn’t like the neighbourhood) into a new purpose built building, right where the Tank House was taking up valuable commercial space. It was moved last year, to the other side of the Hunt-Boyer, cutting down an old ornage tree in the process (and I drew it too – see below). It was never a good location, and made that whole corner look clunky, but this was a beloved old historical piece of Davis. Then, recently, it just disappeared. I presumed it was gone. So you can imagine my surprise when I came across it on our annual visit to the pumpkin patch on Saturday, at Impossible Acres Farm on the edge of the city.
Even more surprising was that it was cut in two. Accoridng to a little informational leaflet provided by the farm, this was due to the difficulty in moving it over the trees. I can’t blame them, it’s not exactly something you can stick on the roof of the car is it. The Tank House, along with the Mansion, was built in about 1871 by the first postmaster of Davisville, William Dresbach. The leaflet also tells us that “this is a fancy, urban tank house, not a common farm one,” (before adding, “Ritzy!”) and they plan to restore it to old glories, use it as a tank house again, and preserve it as a piece of working Davis history, even planting the odd orange tree around it. I look forward to it, and will go out and draw it once it’s done.
Below is the drawing I did of the Tank House last year, in its temporary spot. I never got around to drawing it in the old location (which wasn’t in fact the original spot, having been moved there in the 1970s from its original spot slightly further from the Mansion).
It may be the second half of October, but summer isn’t done. It’s been the mid-80s for the past few days, so on Friday I took a lunchtime walk through the shady arboretum, not intending to stop and sketch, but of course I couldn’t resist when I came across this bridge. I don’t come down this end very often, so had forgotten about this spot. I stood to sketch, and listened to a BBC History podcast. They were talking to Peter Ackroyd, who has started a multi-volume History of England because, he says, nobody gets taught the history of England any more (though he admitted having no knowledge about what schools do teach these days), and this first book is all about the Foundation of England. Wow, then this being an all-purpose tell-it-all history, it must really cover and shed light on the beginnings of England, Anglo-Saxon England, real in-depth, maybe up to the Norman conquest or even earlier, the Battle of Brunanburh or something. No – it stops at Henry VII. The whole ‘foundation’ volume must then cover about eight hundred years, which sounds a bit disappointing, as were his reasons. When asked why he’s stopping at Henry VII (and not, say, about six Henrys earlier), his answer was “well I dunno, I just did”, and that was pretty much his response for most other questions on his choices for this book. Hey, Ackroyd sells books and he knows his business, and I know he’s not taken that seriously as a historian by academic historians, I just find it a shame when popular writers of history effectively skim over the entire medieval period of England, when the country was truly founded (and reborn several times), not thinking it important enough to give at least two volumes in what’s meant to be a definitive history over six volumes (I’m sure the Tudor period alone will get a single volume), but then that’s the medievalist in me, and I’m probably being unfair, basing it on this interview. Anyway, lunchtime was up, the podcast finished, the drawing was done. Maybe on another lunchtime I’ll read the book.
Yes, keen eyes will notice that I have drawn this thing before, the UC Davis Silo, place of many a lunchtime sketch. In fact I drew from this very angle just a few weeks ago, sat by the bins eating lunch, as you do. I thought, now that’s a nice angle, with some nice colours, I’ll draw that again, but bigger, on a standalone piece of paper that I can maybe frame and put in an upcoming exhibition. I spent a couple of lunchtimes on this, listening to a couple of podcasts (one being David Crystal’s talk about Evolving English at the British Library, the other being the Guardian’s Football Weekly. Footy and Language History, my two favourite subjects), finishing off at home. The big furry rocketship. One change in the past few eeeks since that last drawing, and it’s a colour change (that doesn’t involve turning leaves), the big yellow umbrellas are gone, replaced with skimpier green Starbucks-infused ones. Did it smell sitting by the bin? I would be lying if I said it didn’t, but only when the person who empties the bins took it out and sat it next to me. Man those things smell bad. If that’s what Artoo-Detoo smells like on the inside no wonder C-3PO is always mad at him. The big Recycle sign, well that complements the Silo’s tower of course, but it’s also very Davis, the city of the environmentally conscious.
The Pence Gallery on the right and Antiques Plus on the left, a view of D Street drawn one lunchtime a couple of weeks ago. That man really was hunched up like that working on his laptop. It seemed wrong to leave him out. Seemed a strange place to study, but who am I to talk, I hunch over my sketchbook around town all the time.
So I don’t know if I have mentioned it before, but this December I will be having a show upstairs at the Pence Gallery, exhibiting many of my recent urban sketches. I’ll publicize it a little more widely as it draws near but I have been busy drawing away, still one or two sketches left to do but I’m getting there. They’re all sketches of Davis, places locals will recognize. Like this one. Stay tuned!
Last Saturday was the 33rd Worldwide Sketchcrawl event, and here in Davis it was the latest in our ‘Let’s Draw Davis!’ sketchcrawls, that started exactly a year ago. I invited local sketchers down to sketch the ‘hidden’ spots of downtown, starting at Mansion Square on E Street.
There were about ten of us at the start, expanding to twelve in total (I keep a sign-in sheet!), regular faces as well as some newer sketchers. We were joined by a reporter from the student-run local newspaper the California Aggie, Ramon, who I sketched above. He wrote a nice article about the Davis sketchcrawl in today’s Aggie (link to today’s edition at bottom of this post). Mansion Square is an interesting place, quiet and off-strip, behind the old Hunt-Boyer-Dresbach Mansion. When I first came to Davis, I went for an interview in the Kaplan center there (which doesn’t appear to be there any more), doing well in my presentation (what did I talk about, I don’t recall, interactive theatre or ghostly black dogs or something) but less well in the SAT and GRE practise tests (it was the math that did it for me, I aced the language bits).
I don’t know what the brick thing above is, but it looks a bit like a slice of pork. Anyway, off across the street the sketchcrawl went to Orange Court, where I knocked out this very quick-looking sketch above right, and a few of us ate lunch at Sophia’s Thai Kitchen (one of the tastiest eateries in Davis). Below are Tiffany and Christine, two fellow sketchers.
Finally, some sketching in the alleys between E and D. There are some really interesting spots back there, hidden away, cool little tea sops and cute gift stores. This one, Creme de la Creme (which made me hungry for Creme Eggs, oddly enough, but then I’m always hungry for Creme Eggs)
The next Let’s Draw Davis sketchcrawl will be on November 19th in Community Park. The next Worldwide sketchcrawl will be, well I’m not sure, probably in January – find out by checking out www.sketchcrawl.com! (Can I just point out, for the 32nd ‘crawl I was in Lisbon? Thought I should remind you, because that was brilliant! And i still need to post some more stuff about Lisbon, if ever I gte the time…)