wright here wright now

Wright Hall

This is Celeste Turner Wright Hall, a colourfully painted building on the UC Davis campus, home to the Main Theatre and to the Department of Theatre and Dance. Yes, that’s spelled “Theatre” not “Theater”. This building was named after Celeste Turner Wright, who was the first tenured female faculty member at UC Davis. She was also the first drama instructor on campus; you can find out more about her long and illustrious career here. This building was built in the 1960s and was famously photographed by Ansel Adams. In front there are a couple of Robert Arneson’s Eggheads called “Yin and Yang”.  I sketched it last week at lunchtime, furiously drawing as much as possible. but added most of the colour later. Oh, click on the image if you want to see it larger.

Hey I thought you might like to see this, the first time I ever sketched it, which was back in November 2006. I remember doing this and loving playing with all the paint, still actually one of my favourite Davis sketches, mostly because it’s so different from what I do now, but also it was still that first year here, still discovering everything. Looking back, it really took me a lot of time to settle in, even though I worked both on campus and downtown and explored whenever I could, riding around on my bike in the stupid, ridiculous heat. Well, I’m still here, still exploring.

2006 Wright Hall sketch

that is you can’t you know tune in but it’s alright

little prague tonight

I went out last night to my local pub Little Prague (I’ve sketched there once or twice before) with fellow Davis sketcher Steve Wright, to draw a German band who were playing (I’ll scan that in later) and do some more bar drawing. I decided to do some more paint-splattering on the paper first, since that effect would look good on a theme such as this. I splattered fairly subtle tones, and this made it feel like I was drawing on craft paper rather than in the moleskine, which was a nice feeling. Steve drew into his regular moleskine, and produced some amazing work using both micron pen and watercolours, both of which I had never been able to use in the regular moley – but he made it work really well! Pleasure to sketch with him. I stuck to a sepia wash, still trying to draw bottles (I seem to have some problem with sketching bottles, hence my recent practising). This is a particularly interesting bar area to sketch though, and the bar staff were very friendly and checked up on our sketching progress from time to time.

That beer in the foreground is a Krusovice dark, a very nice beer. You can spot me in the background there.

art, music and architecture about

gary at avid reader

On Friday I went to the 2nd Davis Art About. I say ‘went to’, it is in fact a whole collection of evening exhibitions in stores and businesses around downtown Davis, exhibits of local artists, and art events, and it was a lot of fun. I wish I hadn’t eaten so much at dinner though, because they all had snacks and wine. I liked the oil paintings of Davis by Andrew Dorn, which were on show at the USE Credit union, and also the large close-ups of freight trains by Marieke De Waard, displayed at clothing store Riki. I ended up at the Avid Reader on 2nd Street (where I worked, once upon a time), and admired the pastels of Kathryn Esterly. I did a sketch of Gary, local KDVS DJ and a guy I’ve known for years, playing his ukelele as he does every Friday at the bookstore. I used to enjoy those Friday evenings at the boosktore listening to that gentle music.  

michael corbett at avid reader

I decided to stick around for the book talk, which was to be given by Michael Corbett. I’m glad I did, for it was very interesting – Corbett is a famous architect, who designed the groundbreaking Village Homes in west Davis. He is also a former Mayor of Davis, and is responsible for a lot of how the city I draw daily actually looks today. His new book, “The Poetry of Architecture”, is a look at how architecture affects our ability to think, and explores architecture across Europe – it looks like a great read. I sketched him talking; he is very tall.

Look at me drawing people. I hope to draw some more. After this, I went to Little Prague to draw the German band I hoped to sketch, but they were just finishing up; I’ll have to go back in two weeks.

the medicine chest of the soul

shields library, uc davis

I like symmetrical pages in my sketchbooks, and this one is opposite the G Street pub (not geographically, don’t go looking it up on Street View, it’s in the moleskine). Appropriately, it’s the UC Davis Shields Library, possibly the opposite of the aforementioned pub. Here you borrow books; there you buy beer. There you can listen to, well, not very good experimental bands, here you can read Ibsen. But, you can’t drink your beer in the library (not that I’ve ever wanted to), while you can read library books in the pub (now that I have done), but only if you sit near a neon lamp.  

ibsen on the shelf

I love libraries, especially academic ones. When we first moved to Davis I spent a lot of time in here, browsing the medieval language section. It’s very peaceful.

“A great library contains the diary of the human race.” – George Mercer Dawson

“A truly great library contains something in it to offend everyone.”  – Jo Godwin


train engine in davis

I sketched at the Davis Farmer’s Market today (I’ll post that later; all my sketches are being posted in nonlinear fashion these days while I catch up with my backlog). I missed my bus home by mere seconds, so had to wait an hour for the next one. The bus stop is by the railroad, and I noticed a cool looking engine parked about a block away, near 6th Street. I sat by the lumber yard and sketched away. It’s from the California Northern Co; if I’d had more time I would have sketched the whole thing, from side view. If it’s there again I will do so. I was pretty pleased with this drawing, so I couldn’t wait to post it.

ordinary people that are like you and me

august 2010 in davisfire hydrant

Back in Davis… Actually these were drawn straight after Portland, but just before Monterey, but I’m getting round to scanning my drawings. Quite the backlog built up…

You may have noticed, I have a thing for fire hydrants. I may even put together a special compendium (now don’t be silly). Most people ignore them. But as a Brit kid who read Richard Scarry and other such American picture-books, fire hydrants have always seemed exciting and exotic. Well, ‘exciting’ makes me sound like a trainspotter (I prefer drainspotting), but I still love seeing them dotted about towns and cities. Did you know (and I’m not talking to Americans, who obviously do know) that you can’t park your car in front of one? The fire department could have it removed. I like their shape too – some appear to be wearing hard-hats, some (like the one below, at UC Davis) look like those stocks they used to put crooks in back in ‘the old days’ to have tomatoes and abuse hurled at them. Now they just get parts on celebrity reality shows.

fire hydrantpipes off 2nd street

The other sketch above is of gas pipes, sticking out the back of a building on 2nd Street. It was in Portland where we (the European sketchers) were talking about how cool they looked, and Gerard Michel drew an excellent picture of some. I was eager to sketch them in Davis (having done so before, a good while ago). I think this all falls into ‘everyday objects we take for granted’, but if you’re illustrating your city, you can’t miss them out.

sketching to a close

pdx2010: the end

The final afternoon of the Urban Sketching Symposium… I for one was utterly exhausted, but still excited, and eager to keep sketching. I didn’t join the field sketching session I’d signed up for (mostly because I was messing about having fun taking photos of Gerard’s sketchbook laid out in the street), and stayed relatively close to the PNCA. I popped into Oblation Papers & Press, and bought myself an extremely nice sketchbook/notebook (because I needed yet another one), bound with a cover making it look like a French paperback. They are all produced on site, with top quality paper. And so, back to the sketching. I passed this one building, an old former warehouse, many times, and so decided to capture it in three drawings, vignette style, but without the borders I usually use. Because I was sat across the street, with trees in my way, I used those as my border. Ah, it was an experiment, sometimes I like it, sometimes I don’t. It was a lot of fun drawing the building itself though, with its faded paintwork and old empty water tower stand. There is a lot of character in buildings like these.

hoyt & 12th, pearl district

Right outside it, an object I know my two-year-old son would love. I presume it to be some sort of bike rack, or street art, or something I don’t know, but it is shaped like a car and has a steering wheel at two-year-old height. It was similar to the ones shaped like the Fremont Bridge that are also dotted about. I was told by some of the Portland sketchers that it’s city law for any new development to have part of their budget dedicated to placing public art around any new building. That, my friends, is immeasurably cool.

car bike rack

The clock was ticking. This was, in fact, Worldwide Sketchcrawl Day #28, so hundreds of people (probably more) around the world were also out drawing their cities. The Symposiums sketchers, however, were being magnetically drawn back to the source, the PNCA (Pacific Northwest College of Art), where the Symposium was being held. I think everybody was capturing the building as their last sketch of this experience. I joked to Mike Daikabura that this was like the red-light district of sketching, urban sketchers on every corner (and you had to get in early for the best spot!). My last drawing, of the PNCA, is the one at the top of this post.

Okay, time’s up, pen’s down! On to the closing reception, to have a look at everybody’s sketchbooks. In fact, you can see photos and drawings from the Symposium in the “Urban Sketchers PDX 2010” Flickr group.

Symposium blog: http://pdx2010.urbansketchers.org/