We interrupt the London sketches (actually I am off to France in the next batch) to bring you an update on the construction of the new Shrem Art Museum at UC Davis. But first, the weather. It is bloody hot. A hundred and six they say today, but it’ll be more, knowing Davis. July in the Central Valley. The Shrem Art Museum has been under construction for a few months now and I first did a sketch of its progress back in February. I did a couple more sketches in April from the side, and this week did an updated sketch while standing in the shade of the Mondavi Center on a hundred degree day. In short, it is coming along nicely. It reminded me that I need to get over to the former location of the Boiler Building, where at last construction has begun on the new Music Recital Hall. If this heat calms down a bit I might get over there next week. The sketches below were done in the Seawhite of Brighton sketchbook #2, while the one above was done in the Stillman and Birn Alpha landscape book #2.
The corner of 4th and G Streets, Davis. “Scuse me mate, you’re in the way. Scuse me! Mate! Oi, Mate! Can you move a sec, I’m drawing? Mate do you have to stand right there? Mate you’ve been there for ages, just move along a little? Are you listening? Mate can you move?” I said over and over, but he didn’t move, he just stood there, like a statue. Well he wasn’t a statue, he was a sculpture. I didn’t really say any of that, not aloud anyway. This is one of the many pieces of urban art you can find dotted around downtown Davis, and since I was drawing this corner, with that funky looking wooden building next to where Little Prague used to be, I decided it would be more interesting to add him in. I think it’s a him. He’s lovely, covered in colourful mosaic-y bits. I’m all into that. He’s located next to Jack in the Box, which may possibly be the worst fast food chain restaurant in Davis. By the way if it were a real person standing there I wouldn’t be yelling at them to move. I would just move slightly myself, or draw them (but I’d prefer to move, as you know I don’t like drawing real people). The thing about drawing on location is that people and vehicles tend to move around, and if you’re drawing the permanent things then it’s not really a big deal. You can always look around them, fill in the gaps. This isn’t possible when drawing from a photo. In this sketch, the sculpture allowed me a sense of depth, a sense largely absent from my own thought processes (which mostly consisted of me pretending to yell “oi mate, can you move?” to an unmoveable piece of public art I have chosen to stand behind). Sunday afternoon in Davis, it doesn’t get better than this.
At the end of last month was the 10th annual Davis Feminist Film Festival. Unfortunately I was away in Los Angeles so I missed it, but I donated a sketch for their silent auction, and this is it. This is the Varsity Theatre, as you probably know, I have sketched it before once or twice. I sketched it one lunchtime and was so pleased that red Mini was parked in front. I have no idea if it sold (the auction was silent!) but it was fun to sketch. Of course, the festival didn’t take place here at the Varsity, but at the Veteran’s Memorial Theatre, so the sketch was thematically apt but geographically wide of the mark…
Davis Feminist Film Festival: http://femfilmfest.ucdavis.edu/
I went to see Belle and Sebastian last week. That has nothing to do with this sketch, but I am telling you anyway. Now if you have followed my sketches at all you will of course not know that probably at least 75% of them were sketched while listening to Belle and Sebastian, except that I use lyrics from their songs as blog post titles with alarming frequency. They have a pretty unmatched residency on my iPod matched only by David Devant, and the various podcasts I listen to ( which are headlined by “Football Weekly”, “The History of the English Language” and “Rachel and Miles Xplain the X-Men”). But the Belle and Sebastians, they come up Most Played, and so when I saw that they would be playing in Davis at the Mondavi Center, I had to go. And it was a brilliant show. The Mondavi is a great venue, and in fact it was the first time I had been to a show there. Yes, in almost ten years – this was well worth the wait. They played an incredibly varied set, mixture of old ones, new ones, fast ones, slow ones, and the lead singer Stuart was actually really funny. My wife came and she loved it. She knew all the songs because, in her words, “they remind me of being in the car with you”. I actually started listening to them around the time we first met, back when we lived in France that one year, I had bought the Boy With the Arab Strap album at a CD shop in downtown Aix-en-Provence (that I used to go to like every day) and have made her listen to everything since. Really though, they remind me of my time in Davis. Their 2006 album The Life Pursuit had a really distinctive sound, and every time I play it, I am brought back to 2006, that first summer in Davis, the epic heat, the bike rides around town, my discovery of watercolour and starting to sketch everything a lot more. That album came out on the very last day of my twenties. The funny thing is, I hadn’t actually listened to it for ages. I wasn’t, for some reason, on my iPod where everything else they did was, even more obscure stuff. I don’t know why I shunned it, I think part of me didn’t want to be reminded of my first year here, when everything was so new, so different, exciting. Looking back it was a tough transition, settling in a new country. I worked two jobs to keep me busy, ploughed into my art, and when I think of that year I think of this album (this, and Mr.Solo’s first album which I also listened to endlessly). Now in my tenth year over here I’m older (and fatter), more cynical (yeah right, like that is even possible), I have a fast-growing son (I live in a house made mostly of Lego and Pokemon cards), I feel different. It’s only natural. So when Belle and Sebastian played a whole bunch of songs, LIVE, from that very album, songs that I absolutely loved (particularly “Another Sunny Day” and “The Blues are Still Blue”) I was brought right back in a great way: the people who actually came up with these songs are actually playing in this actual city. Yeah, I liked that a lot. As soon as I got home I dug the album out and put it straight on my iPod, mystified as to how I’d not uploaded it on there before. I love their new album “Girls In Peacetime Want to Dance”, there are some cracking tunes. “The Power of Three” is my current listen. So, a great show, an evening to remember in a really lovely venue.
As I say none of that has anything to do with this sketch, I didn’t even listen to them while sketching it (it was a BBC History podcast about Galipoli). This is Bistro 33 in downtown Davis, a restaurant based in the side of the old City Hall, a building which has been a fire station, a police station many things over the years but is now a restaurant with a pretty large outside seating area. I kept it quick because frankly my seasonal allergies have kicked into gear in an epic way this week, and on that Sunday they were starting to destroy me a little. I would not have gone out at all but that I really needed to sketch some stuff. This whole week has been a bit of a sneezing-induced ‘mare. I ended up escaping inside to the adjoined City Hall Tavern to de-pollenify, before heading home. I’m still sneezing.
This is Celeste Turner Wright Hall, a colourfully painted building on the UC Davis campus, home to the Main Theatre and to the Department of Theatre and Dance. Yes, that’s spelled “Theatre” not “Theater”. This building was named after Celeste Turner Wright, who was the first tenured female faculty member at UC Davis. She was also the first drama instructor on campus; you can find out more about her long and illustrious career here. This building was built in the 1960s and was famously photographed by Ansel Adams. In front there are a couple of Robert Arneson’s Eggheads called “Yin and Yang”. I sketched it last week at lunchtime, furiously drawing as much as possible. but added most of the colour later. Oh, click on the image if you want to see it larger.
Hey I thought you might like to see this, the first time I ever sketched it, which was back in November 2006. I remember doing this and loving playing with all the paint, still actually one of my favourite Davis sketches, mostly because it’s so different from what I do now, but also it was still that first year here, still discovering everything. Looking back, it really took me a lot of time to settle in, even though I worked both on campus and downtown and explored whenever I could, riding around on my bike in the stupid, ridiculous heat. Well, I’m still here, still exploring.
Another panorama to click on and see in bigger format. This is Uncle Vito’s, Davis, a pizzeria and bar which I come to every couple of years or so. I needed to go out and do some sketching, and since it had been a while I needed to come here and sketch it again. It’s a nice place. There was baseball on – the season as started again, and the Giants, champions in 2014, were losing. After that, there was basketball. I decided to not colour it all in and leave it simple. This is called laziness, but I spend so much time on the ink and that is what I enjoy most. It wasn’t super busy, which is another reason I went in to sketch. That and the lamp. Let’s face it, it was entirely the lamp. Another one for the bar-sketch portfolio…
The Barn, UC Davis. I’ve sketched this a couple of times before, The Barn. The word “Barn” comes from Old English, “bereærn“, which literally meant “barley house”. A lot of buildings on campus look like this as you well know. I needed to sketch something familiar. I feel like I’ve sketched a lot of barns (and former barns) in Davis. Barns and bars. I must confess there was more blossom on that tree now than my sketch lets on. Spring is truly sprung in Davis. Can you believe it’s March already? Of course you can. The days march on as they have always done, but as we get older, each day is relatively shorter than the previous one. Albert Einstein said that, or at least it sounds a bit like the sort of thing he might have said. Lunchtimes feel shorter, at least. Once again I did the colour when I got home.