giant steps

Fear the Beard

There’s a funny old game over here that people quite like, called ‘baseball’. The thing about baseball that I like, apart from the fact that its name doesn’t get confused with that of another more globally popular sport, is the uniforms they wear. They are so classic looking, untroubled by sponsors or the need to change designs every few months. Usually, teams will play in white with their opponents in grey, although soemtimes they will use their other colours – the San Francisco Giants for example sometimes play in black, and even orange, being their colours. Usually (but not always) the home team will wear their nickname (“Giants”, “Yankees”, etc) across their jersey, while the away team would have the name of their city. This classic look reinforces the classic feel of the game – that iconic ballpark design, the apparently simple yet completely complicated (or vice-versa, depending on where you’re from) rule system, the fact that its not about being macho or aggressive, but hitting a ball and running, or catching a ball (with a really big glove). Simple really.

I was never a bat and ball kid. Cricket confused me (it still does) – while they may have light, bright, colourful playing kits now, I never understood growing up why they would play this sport in the middle of summer wearing thick woolly jumpers and long trousers. Rounders? Oh I hated rounders. I couldn’t throw the ball (pitch? bowl?) and was terrible at catching it, and if you missed an easy catch in the playground it was worse than, I don’t know, being Wayne Rooney at the World Cup. And you could get easily bored, with nothing to do but stand there and hope the ball doesn’t get hit in your direction. And then there was ‘softball’, which was just like rounders but with a ball that definitely wasn’t soft. I always wanted them to call it baseball so that we’d sound American and exotic, but I think you had to wear baseball caps if you wanted to call it baseball, and we couldn’t afford them at our school.

Now I live in America, and while I have always liked baseball, I’ve been a little slow in following it. My brother-in-law is a huge Giants fan, and my wife and son too, so naturally I am as well, and have been learning a lot more lately since the Giants won their division, then fought through the play-offs to win the National League, and are now two games into the World Series against the Texas Rangers – two games which they won quite emphatically (11-7 and 9-0 are veritable cricket scores even in baseball). We’ve been glued to the set (cynics can make a sentence out of the following words: “bandwagon, on, jumping, the”), it is pretty exciting. So I had to honour the Giants before they threw it all away (now who’s cynical? hey, that’s my long years as a Tottenham fan, plus a few years as a Giants fan) with a sketch of one of their players, Brian Wilson, “Fear the Beard”. He has this odd and fake-looking black beard, and Giants fans all wear their real-looking fake beards when he comes out to close (he is a ‘closer’, which means he’s a pitcher that pitches at the end of the match – look at me learning all new words!). I was going to draw Tim Lincecum (he looks like a young Severus Snape) but The Beard was too tempting (plus it reminds me a bit of Ricky Villa). 

Go Giants! Fear the Beard! Get me some Garlic Fries!

on the buses

double decker bus

Here in Davis we have a little bit of London. Unitrans has several old vintage London double-deckers which still ride around town, letting passengers hop off the rear deck into the middle of the road, keeping the ‘charming’ London place-names, exotic faraway locales such as Golders Green, Shepherds Bush and Finchley Road. UC Davis brought the buses over in the late 1960s to start a bus service, and these buses are not in fact Routemasters, but the models which came before. Presumably if Boris gets his new modern (ugly, unnecessary, expensive) Routemasters on the streets, Davis will be able to buy some of the bendy-buses.

There are four such buses left in Davis, dating from the late 40s and early 50s. One, the 1950 model, will retire at the end of the year. Maybe they’ll put it out to stud.

Altogether now… “I ‘ate you, Butler!”

bayern some time

bavarian band at little prague, davis

I had to draw this Bavarian band that has been playing occasionally at Little Prague in Davis during this past month or so for Oktoberfest  – I finally went there to sketch them. They played interesting German-style music, sometimes donning a sombrero to add some Mexican into it. I sketched alongside fellow Davis sketcher Steve, and after the band finished our photos were taken by the singer’s wife with our sketches and the band.

The band wasn’t called ‘Bayern’ by the way, I just felt the need to write that up there. I like Bavaria – my wife and I spent a couple of weeks there back in 2005, partly in Munich, partly driving around the Alpenstrasse, to small towns and lakes, popping into Switzerland (where I spent an afternoon studying the Abrogans, a 1200-year-old manuscript and the oldest thing in German language), and then back into Bayern and up the Romantische Strasse. I loved that each town had its own beer, and we ate only local food (I had the most amazaing roast duck in Schliersee), and castles and timber-framed chalets and the odd hilarious name (there was a mountain called ‘Wank’). And it was truly ‘Bavaria’, not just another part of Germany, it felt like its own country, with that blue and white flag everywhere and the Bavarian dialect everywhere. I wouldn’t mind going back some day.

bottle and glass

sudwerk fest-märzen

October is here folks, and October means beer. Even though most Oktoberfests apparently take place in September (giving us Oktoberhangover) - I even drew this while it was still September – it’s culturally important to keep up that association (this is my excuse). One of my favourite beers is in fact the Märzen amber ale of my local micro-brewer, Sudwerk. This year they brought out a special Oktoberfect version, “Fest-Märzen”, and I must say it’s bloody lovely. Perhaps the best beer I’ve had over here. So in the spirit of drawing bottle and glass on brown paper (see the recent champagne bottle), here they are. That glass was empty by the time I finished drawing, let me tell you. We had a heatwave here last week, with weather in the 100s (really! at this time of year), and a nice cold beer was always going to help.

call me bubbles, everybody does…

champagne! 5 years in america!

So anyway, to celebrate five years in America, we drank champagne, pink champagne. This has been some time coming – we have been saving this for just such an occasion (this very nice bottle having been brought over by my very excellent friend and best man Roshan for mine and my wife’s fifth anniversary last year), and we figured the fifth anniversary of our emigration was a good time to crack it open, and it was very good indeed. You can’t beat good proper champagne. The bottle was fun to draw too, and I’ve started a new brown paper sketchbook, much bigger than the last one.

tractor boys

toy tractor

I feel like I did this ages ago. There have been so many drawings this month, so much scanning still to get on with. I’m sure I’m not the only Portland-Symposium-participant that feels that. Anyway…this is my son’s toy tractor, a metal green Tonka. Living in the agricultural world of Davis, tractors are inevitable.

Tractor Boys… that’s what they call Ipswich Town supporters, isn’t it. I have family in Norwich, so I should be all anti-Ipswich Town, but I have always quite liked them. They were great back in the days of Bobby Robson, John Wark, and, er, the other guys who were in Escape to Victory. I remember I was in Watford once when they were playing Ipswich, and all these Watford fans were giving Ipswich supporters some stick around town, calling them Tractor Boys and saying oo-arrr, and I wanted to say, Watford? Seriously?

Apologies to American readers, you won’t get any of that. I suppose it’s like people from Nebraska calling people from Oklahoma ‘farm-boys’. Or maybe it’s not. I grew up in London; everyone’s a tractor boy from my point of view. Even me, now.  

This little brown sketchbook is in fact finished now. You can see the whole collection of brown sketches, minus a few I didn’t bother scanning, on my flickr site.

to the shouting sea

monterey peninsula beach

It gets pretty foggy down at the Pacific Ocean’s edge. On our last morning in Monterey we took advantage of the cry of the sea one last time before we’d head inland to the hot Valley again. I painted the above pretty quickly; I was out of clean water for my paints so I used water from the Pacific Ocean itself to paint with. Seemed appropriate. This was still Pacific Grove, but further out, on the way to 17-Mile Drive.

luke's painting, Pacific Grove

My two-year-old son decided he’d like to help me with a bit of painting, so I gave him my paints and my brush, and even my nearly-complete brown sketchbook, and he painted the above. I think it’s just brilliant! He has a much better eye for colour than me. I can see us doing joint sketchbook projects in the future!

hula's, monterey

This last one is from the day before, when we had lunch at an interesting little place called Hula’s, where there was a lot to draw. And that was our short trip to Monterey. At some point soon I might start posting all the drawings I’ve done in Davis since the Symposium…

with water praying and call of seagull and rook

boats, montereya boat at monterey
More of Monterey, California. I could spend weeks there just drawing boats, but these quick sketches were all I managed in the time I was there. We were at Fisherman’s Wharf, having seen the sea-lions lying about the rocks, and I was trying my ‘see how fast you can sketch’ style of rapid two-minute sketching while my son chased pigeons and seagulls.

monterey steam enginemonterey fisherman's wharf

If you ever go to Monterey and you have kids, I’d recommend the Dennis the Menace playground. It’s probably the best playground I ever went to. It was founded by the creator of Dennis the Menace (no, not that Dennis the Menace, but the ones we Brits simply call ‘Dennis‘, because let’s face it he’s nowhere near as menacing as our Dennis the Menace) One of the many highlights is the large old authentic steam engine they have, which kids can climb upon. Unless you’re a menace, of course.

ease your feet off in the sea

Pacific Grove, Lover's Point Beach

Though I do love to be beside the seaside, though I do love to be beside the sea, I’m not  a typical beach-loving person. I don’t do well in the Sun. Fortunately, it’s usually pretty foggy in Monterey, so I can enjoy the sandy-toed experience without frying to a crisp. And, as I rediscovered, making sandcastles is great fun.

This is Lover’s Point, in Pacific Grove. While waves may lash elsewhere, the rocks and kelp mean that the tide here is gentle, relaxing. The sand is a little stony around the edges of the beach, but in the centre it is soft and mellow. Get it wet, perfect for sandcastles.

When I was a kid, there was always a bucket and spade (they call it ‘shovel and pail’ here, which sounds like an unfunny comedy duo) (like Hale and Pace, though nobody could be that unfunny), sticks of rock, amusement arcades, bingo, deck chairs, maybe donkeys. None of that here. Except for the bucket and spade, obviously.  

i know what you're thinking, those are rubbish sandcastles, but i don't care

toe truck lover's point

“in viaggio col taccuino”

simonetta cappecchi

I was pretty amazed and inspired by Simonetta Capecchi’s lecture about collaborative sketchbook projects in the city of Naples, Italy, where she lives and works. I had a pen-pal from Naples when I was a kid, and the city has always seemed so far away and unusual to me, yet still in my native Europe, so I was fascinated by her stories. Simo’s work and ideas promoted a real sense of a community expressing itself through art. It reminded me not only of other sketchbook projects that I’ve seen or been involved in, and also what we do in every worldwide sketchcrawl or even this symposium, the art of representing a city through different voices and personal styles, but it also reminded me of place-specific projects that I have had experience of back when I studied and practised interactive theatre. Local people expressing their locale, telling its story, its ‘everyday’. Here my mind exploded with ideas. I want to get Davis drawing! I also liked the project she promoted whereby a sketcher would take an old book about their city, and sketch scenes from their city inside it cover to cover, across the text. As I discussed with her afterwards, that would be a wonderful thing to do somewhere like London, I think, thought maybe not so much Davis (only because Davis-centric literature is slightly thin on the ground). It was inspiring stuff, and a reminder that there are so many angles from which you can approach art, and urban sketching. 
pdx10 simo lecture headsliz steel and gerard michel

As did other people, I sketched the lecture room around me. There’s Liz from Australia, and Gerard from Belgium. I sat next to Suzanne from North Carolina, sketching the same subjects. Amazing how the internet has enabled us urban sketchers from around the world to come together and learn from each other. Simo showed me a sketch she made of Mount Shasta from the window of her plane, as she flew north from San Francisco, and I showed her my similar sketch of the same mountain from the window of the car as we drove south from Oregon last month. That was pretty cool.

san pellegrino

Continuing the Italian theme, for lunch before the lecture I drank a bottle of San Pellegrino orange soda from Italy; (you may recall I sketched a can of this recently). I didn’t know they came in Orangina bottles! While eating lunch, we noticed that there was a wedding party arriving, and the bride and groom themselves sat behind us at a tiny table eating over-the-counter pizza. It was a funny sight, but the quick sketch I did did it no justice, so all you’re getting is the bottle.

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