Tag Archives: bar

pete goes to hollywood

chinese theatre hollywood
More from the recent trip to LA. After checking into the hotel in Westwood, I jumped on a bus through Beverly Hills and over to Hollywood. I am from Burnt Oak, ok, so this is pretty much the stuff dreams are made of. An aside, buses in LA are awesome. Most of them only cost a dollar and the various networks go all over the place. It’s almost like it’s a proper city! (I’m being silly, of course it’s a proper city, and that’s why I love it – being from London, LA feels a bit more familiar to me in its massiveness.) You hear all the time that LA is only for the automobiles, but as a tourist, the buses are really excellent. So anyway I went to Hollywood and walked up to the Hollywood Boulevard, where I had last been in 2002. Tinseltown, they call it, but I didn’t see any Christmas decoration shops. It is of course tacky touristy mayhem, mixed in with a fair bit of grime, plus a whole bunch of famous names on stars on the ground. Come on, that is why we go. I wanted to sketch the world famous Chinese Theatre, made famous of course in Iron Man III. Ok it was famous before then. Note the bus-stop, I wasn’t leaving that out. A red carpet was being set up for the premiere of something, a small independent art-house movie called ‘Hot Pursuit’ which I presume is about the sadness of playing a game of Trivial Pursuit in a house where the air conditioning just won’t work. If it’s not then hey, great idea for a film, here’s my script Hollywood, MOVIE DEAL PLEASE. I sketched while Marilyn Monroe, Spider-man, and Darth Vader walked by, people dressed as space aliens and hookers (to be fair they may have both genuinely been either), and the occasional massive group of Chinese tourists. I have included a handy map in my sketchbook to show where this is located. This is the first page of the new Stillman & Birn ‘Alpha’ sketchbook I bought a couple of months ago, but I’ve been waiting to finish my current sketchbook before starting it. Well, I couldn’t wait, so after this sketch I reverted back to the Seawhite’s remaining pages for the other sketches. I’m not sure why I’m telling you all of this, you probably don’t care. Unless you’re some sort of Hollywood exec who sees a market in blockbuster movies about drawing in sketchbooks. I can see the trailer now. “He was a Sketcher, on the Edge…” etc.

Hollywood map

“Draw the El Capitan Theatre!” they all said. “You gotta draw the El Capitan!” Yes, yes I should, especially as they are playing Avengers there (the opening night was that same night). It’s really hard, the way I draw, to sketch that big neon sign, so I jsut went for the bare minimum before abandoning it. Perhaps I’ll give it a better go someday. Perhaps. But this is all you get.
el capitan hollywood
Fire hydrants! So, when you travel, well when I travel, it’s always good to sketch some of the local hydrants. This particular one was painted red, white and blue (and yellow), as were many on Hollywood Boulevard. This one was located however right next to Walt Disney’s star on the Walk of Fame. Around me, star-spotting tour buses loaded and unloaded en route to peek at the gates of famous people’s second homes, while homeless people shuffled up to see why on earth I was sketching a fire hydrant. But this one’s a beauty, so I couldn’t resist adding it to my collection.
hydrant hollywood blvd

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I caught a couple of glimpses of the Hollywood sign up in the hills, but as the early evening pressed on I wanted to stop and rest my feet, so I popped into the interesting looking Pig’n’Whistle pub. I was going to have dinner (it’s a restaurant too) but opted for a pint and a sketch. The light from the street was pouring through the stained glass windows, but the itnerior was spectauclar – the ceiling was old and of ornately carved wood, it was like being in an old mead-hall, but with very Spanish-feeling decoration. Yes, I’d recommend stopping in here. After doing this sketch, I popped back onto a bus to Westwood, and had a late dinner before watching the UK general election leaders spouting nonsense on the TV in my hotel room. Happy travels!
pig n whistle hollywood

in vito veritas

uncle vito's davis

Another panorama to click on and see in bigger format. This is Uncle Vito’s, Davis, a pizzeria and bar which I come to every couple of years or so. I needed to go out and do some sketching, and since it had been a while I needed to come here and sketch it again. It’s a nice place. There was baseball on – the season as started again, and the Giants, champions in 2014, were losing. After that, there was basketball. I decided to not colour it all in and leave it simple. This is called laziness, but I spend so much time on the ink and that is what I enjoy most. It wasn’t super busy, which is another reason I went in to sketch. That and the lamp. Let’s face it, it was entirely the lamp. Another one for the bar-sketch portfolio…

take the time to make some sense

De Vere's Irish Pub, Davis. Click to see bigger.

De Vere’s Irish Pub, Davis. Click to see bigger.

On the last day of January (this is how long it’s taking me to find a few minutes to scan sketches in these days…) I decided I needed to add to my bar panorama sketch series, and went down to De Vere’s Irish Pub in downtown Davis to practice from a different angle. I sat in that corner at the end of the bar, nicely tucked out of the way, and sketched the evening away. Andy Murray was on the TV above me, losing in the Australian Open final, and the place was pretty busy. I started on the left with the close angle of behind the bar itself, making sure I sketched the ‘Late Night Eats’ menu before it got moved. It’s good to have something like that if you are sketching a bar, as it places you in both time and space. There’s a little tip. For the budding bar-sketcher, here are some in-progress photos; I used a brown-black uni-ball signo um-151 pen size 0.38 (the best), in a Seawhite of Brighton sketchbook (not the best, but not bad).

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Next I sketched the bar itself. I used a few pencil lines to try and figure out the perspective lines, but it’s not scientifically exact, more of an ‘as good as’. The thing about perspective is that your direct moves about a lot and so you usually have several perspectives going at once. I added a couple of the barstaff; whenever I sketch bars I often leave them out because, to be fair, they move around a lot. It helps to include them however, to break up the repetition of a long stretch. Plus it’s always good when sketching people working to show them hard at work. I sketched the behind-bar are and the taps next, and those little black straw things that appear in almost every bar sketch in the history of the world, for some reason. You can see how the bar angles towards me at the far right corner, but I didn’t have room to show my part of the bar.

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And here’s the finished sketch. By this point I had had about four pints ($3 pints of Sudwerk Dry Hop Lager if you must know), and had included the throngs of people at the bar. People are generally generic, but look kinda like the real people that were there. There was a man wearing one of those triangular/conical hats, looking as though he worked in a paddy field (no jokes about paddy fields and Irish pubs please), so I drew him twice. Although I left drawing the people to last, this actually opens up into being the focus of the bar, with the elongated triangular space in which they are positioned becoming wider and more interesting as the eye is drawn rightwards. There, see if you can talk about panoramic composition after four pints of beer. To be fair if someone had asked me (and I think they may have done) my answers would have been nonsense; to be fair, they are nonsense even before four pints of beer. I’m happy with the results though, and I decided not to add paint, so you can feel it in all its hastily scratched-in glory. De Vere’s is a good pub to draw panoramas of.  Cheers!

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a bright centre to the universe

Columbus Avenue (not "St"), San Francisco. Click image to see bigger.

Columbus Avenue (not “St”), San Francisco. Click image to see bigger.

It was getting a bit nippy by the mid afternoon in San Francisco, but I had a lot of drawing left to do. I wanted one more panorama, and I wanted it in one of my favourite spots in the city, that bit of Columbus Avenue (not ‘Street’ as I always write it) by Jack Kerouac Alley, with City Lights Books and Vesuvio. I like how this street slants down and I have drawn it before looking downhill to the financial district, but never from here. I stood for an hour and a bit sketching before it started to rain a little, and had to finish off the window shading later on. God I love San Francisco sometimes. Anyway I have always wanted to sketch inside Vesuvio, so I popped in for a couple of pints of Anchor Steam and sketched the scene below. This place merits a whole lot of sketching, it’s so full of detail and character. I love bars like this at Christmas time.

Vesuvio, San Francisco

After this, I made the odd decision to walk through Chinatown to Union Square, five days before Christmas, which was a bit manic but hey, I once worked on Oxford Street at Christmas time. I got my bus to the train at Emeryville, and went back to Davis, tired and full of sketches.

Leave the pen. Take the cannoli.

amtrak in the morning
Late last month, on the weekend before Christmas, I took a day in San Francisco, just to get out of Davis for a little while and sketch things on ground that slopes a bit. I didn’t have much of a plan beyond “go to the Ferry Building, have a cannoli, draw loads”. So I did. Here’s my sketch from the early morning Amtrak train, above. It’s not cheap, traveling the Amtrak, but it’s a lovely journey and you get free wifi.

So I got to the San Francisco Ferry Building, where they have the Saturday Farmer’s Market. I like getting here on a Saturday, and finding the little stall inside that sells Italian cannoli filled with chocolate, and sugary messy lemon-filled ‘bombolini’, little doughnuts. After cleaning my face I went outside to draw a panorama, which took about an hour and a quarter. Those sugary treats made me work very energetically.

SF Ferry Building

SF Ferry Building. Click on image to see larger version.

From there I walked aimlessly before taking a bus up to North Beach, where I also walked aimlessly, but its a great place to be a bit aimless. I ended up at Grant Avenue near Green Street, where I looked through some nice little shops and sketched the Savoy Tivoli, a colourful establishment I had a pint in several years ago while listening to some live jazz musicians I bravely attempted to sketch. This place dates back over a century, opening in the year after the 1906 earthquake.

savoy tivoli, san francisco

I’ve never had a pint in this place, The Saloon, which is at the bottom of Grant near Columbus, but it has a sign outside which says its the oldest saloon in the city. It was once Wagner’s Beer Hall, named for its owner Ferdinand Wagner, an immigrant from Alsace, back in 1860. It survived the 1906 earthquake, the prohibition era (when it was the “Poodle Dog Cafe”), and went through a few names before settling on “The Saloon” in 1984. It’s historically a rough-and-ready part of the city this, and some day I may pop in for a beer and some history, but on this day I sketched outside. I had some more drawings to go, and I didn’t want to stand around for too long so I kept it quick.

the saloon, san francisco

To be continued…

for a glance of my sweet molly mogg

molly moggs
Early Saturday evening, mid-August, Charing Cross Road, which I used to call my favourite street in London (there were more bookshops in those days). Also the place of too many Night Buses. This is Molly Moggs, a little pint-sized pub on the corner of Old Compton, which despite walking by a million times I’d never been into before, though I did pop in with my friends Roshan and Big Lee shortly after sketching this. Across the street from here is Macari’s music shop, which is where I bought my current acoustic guitar, back in 1996. London is full of old stories for me. Molly Moggs was named after a lady in a poem by John Gay, “The Ballad of Molly Mogg” (“The Fair Lady of the Inn”), about a real woman who worked at a tavern in the eighteenth century. From the decor inside it seems to be a very popular place for performances by drag artists, cabaret, burlesque type of thing. We didn’t stay long enough to see any, moving on to an old favourite pub of mine, the ever-unchanging Ship on Wardour Street. There was no more sketching that evening, just lots of catching up with good old friends.
charing x road map

castling in holland park

castle holland park

Ok, more London sketches posted way after the fact. So if you were reading carefully you will have seen that on a Monday I sketched the Dublin Castle pub in London, and then the very next day I sketched a pub in the actual Dublin (not far from the castle, funnily enough). Well the story doesn’t end there. On the Friday, I sketched another pub in London, this one called…the Castle. Ok that’s enough doo-noo-noo-noo spookiness. This is the Castle in Holland Park. I came down to Holland Park to meet my friend Simon, who lives nearby in Shepherds Bush, and after dinner we came to this pub he told me about a while ago. I’d liked to have sketched the outside but it was too dark on this occasion, so we went in and we both sketched and chatted. I forgot to bring my chessboard; we usually like a game of chess when we meet, Magneto and Charles Xavier style (I’m Magneto of course). Hey look, the pub is on Twitter, according to the sign on the wall.